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#research catalogue

Felipe Libón, the first travelling Spanish Virtuoso and his Violin Concerto No.6 (1812). A Performance Practice case study: I. Poco Allegro

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The Voice in Arranging - Rethinking the role of vocalists in big bands and large ensembles

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Mindfulness for violinists

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Making a simple International Phonetic Alphabet (IPA)—For singers, conductors and composers

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Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata

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The process of vihuela intabulation of sacred music in 16th century Spain

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The Significance of Chinese Art Songs by Huang Tzu (1904 - 1938)

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Albeniz, from the piano to the wind

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The use of the horn in the late orchestral works by Robert Schumann

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Connections; The artistic process of creating a multimedia performance

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The Flexible Trombonist

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The art of the violin in Verdiales

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Waldorf music education meets Kodály methodology.

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Embodied Bits

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"Encumbered with useless graces": Ornamentation and Aesthetics in Eighteenth-century Scottish Music

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New (old) Music - Intercontextual Compositional Methodologies

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Navigating in Overlaps: Redefining Performance Space as Multi-Space

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Queer and Gender-Fluid Artists in the Music Performance Universe of the 17th, 18th, and 19th Centuries

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Understanding the Wagner Tuba: a practical guide for horn players

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Juan Manuel Gaitán y Arteaga, the influenced musician [final]

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Possible Connection between the Development of Executive Functions and Music Education According to the Kodály Concept

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La trompa de la salsa: the role of the French Horn in Afro-Cuban music

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Between Performance and Notation: How did Carl Reinecke understand Mozart’s piano concerto No.26 K.537?

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"Inseparable": Music and Dance in a Cross-Disciplinary Practice

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Creating an audiovisual performance through interdisciplinary collaboration

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Musical Psycho Performance

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Finding Home: An Exploration of South African Art Music through the Classical Saxophone and Collaborative Practice

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Engaging the Audience: a Matter beyond Music?

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Keys and Cords: A Comparison of Piano and Vocal Teaching Strategies

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The space we are in

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Encoding Emotion

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How (not) to write a B♭ french horn beginners method book

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Authenticity in Transcribing

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Augmented Feedback: A Compositional Approach to Acoustic Feedback in Digital Spaces

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Towards a forgotten language I implications of prelinguistic language and aphasia in my vocal works

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Auctor incertus: Issues of authorship and anonymity around Missa Inviolata (ca. 1520s)

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‘What are the most effective collaborative strategies to seamlessly integrate instrumental music and theatre in family performances?’

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Jazz / Pop Singing at the Crossroads of Movement and Musical elements

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Are you colour deaf?

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Here I want to be - Wandering through poetic fieldnotes

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Listening to / in Public Space

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Imagine

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Two Viennese piano schools: Beethoven and Hummel

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The role of music theory in professional music education, a historic overview [Snapshot from dev system - 2022-12-06 14:40]

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Theory in Practice – Analysing Music Theory

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Interrupts And Intervention

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SRL: Enhancing Self-Regulated Learning for Musicians

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A YEAR IN THE LIFE OF THE SONOLOGY ELECTROACOUSTIC ENSEMBLE

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Creative performer | Performing creative

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Learning Pods

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Lectorate Event 2019

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Classic Express Research project

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Hearing Geoelectric

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Look again

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Methodology for developing and internalising rhythm and timing through body movement for jazz students

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Research Projects Lectorate Music, Education & Society 2018-2021

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Sound spatialization in live electronic music

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Crossing Borders

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The Ways We Teach

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Diamond Marimba as a Creative Tool

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Deep Listening Today: Connecting with audiences through the music and teachings of Pauline Oliveros and others

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KEYBOARD MUSICIANSHIP: "Developing a methodology through musical repertoire"

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YEARNING TO CONNECT A Short Introduction to Music Curatorship

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Disseminating & Connecting Research Data

Joint Research Day '23
Fr 27 Oct 2023 14:00 – 14:30, Presentation - Gallery 2, KABK, Prinsessegracht 4

(2019) The Singing Violin: Portamento use in Franz Schubert’s violin music

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'What may have happened…'

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The Usage of recordings from other musicians as a source of information by students of Classical Music

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APPROACHING IMAGES: A Journey from Imagery to the Concrete

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An Embouchure Aid for Wind Musicians

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Camilo Arias - Master Research Last Sand

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HOW TO IMPROVE CELLO ORCHESTRAL EXCERPTS

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Historical Clarinet Mouthpieces: An Analysis and Re-creation studyHistorical Clarinet Mouthpieces: An Analysis and 3D Re-creation study

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Interpretation of Schumann's 'Humoreske' in B flat major, op. 20, within the context of Jean Paul Richter's romantic concept of 'humor'

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“How to motivate students in classroom mandatory music lessons?”

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With trumpets?

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Divertimento Sextet

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Singing and Playing - A Kodály Approach to Cello Playing

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Hindemith’s Musical Enigmas Through the Eyes of Bach

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The extra dimension: exploring 3D use of the accordion bellows

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Composing Situation: An approach for understanding and repeating a musical practice

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LEADING FROM THE HARPSICHORD: A HISTORICAL INFORMED APPROACH TO EARLY MUSIC 'CONDUCTING'

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Sonic Placemaking: (Re)Creating Place as a Comprehensive Compositional Practice

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Michael Chekhov’s acting technique through the lens of a classical singer

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Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach

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Keith Jarrett: The Köln Concert, re-composition for a big ensemble

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The Viennese violone : A "Viennoiserie" with 5 spices

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Interluding: Identifying practice methods for classical improvisation on the Violin

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Aimpathy

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An Investigation of Eastern Cultural Influences in the Classical Guitar Solo Repertoire.

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Percussion Meets Environmentalism: A method of performance for environmental awareness

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Clarinet Pedagogy in Times of Change and Advancement: The Evolution of Amand Vanderhagen’s Méthode Nouvelle et Raisonnée pour La Clarinette

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A Garden of Sounds and Flavours: Establishing a synergistic relationship between music and food in live performance settings

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Laments for a Modern World: Exploring the pathetic capabilities of 17th-century Laments

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Place to Action! Art that Inteferes

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The Kodály effect: Measuring musical literacy in Dutch primary school children

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Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Research Catalogue ACPA

The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

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Musika: The becoming of an artistic musical metaphysics

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Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

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The variational mode: three cases about documents, artworks and animation

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Cantos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

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The reflections of memory : an account of a cognitive approach to historically informed staging

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Ebifananyi : a study of photographs in Uganda in and through an artistic practice

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The deep-rooted microtonality of the bass clarinet

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(De)Composing Immersion

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The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries

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Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

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Propaganda Art from the 20th to the 21st Century

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ReForm

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Audible absence: searching for the site in sound production

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Imagined Voices : a poetics of Music-Text-Film

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Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

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The magic of projection : augmentation and immersion in media art

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Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon

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Het Urban Future-project

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Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

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Creating and re-creating tangos : artistic processes and innovations in music by Pugliese, Salgán, Piazzolla and Beytelmann

Research Catalogue ACPA

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Research Catalogue ACPA

LOCVS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Research Catalogue ACPA

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Research Catalogue ACPA

Multiple Paths: Towards a Performance Practice in Computer Music

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Shifting identities : the musician as theatrical perfomer

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Between air and electricity : microphones and loudspeakers as musical instruments

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Finding Focus

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Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz.

Research Catalogue ACPA

In Search of the Public: Exploring Contemporary Performance Practices of Classical Music in the Netherlands

Research Catalogue ACPA

Double Bass in Indian Classical Music

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Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

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A modern analysis of Historical Informed Performance: considerations about the method, its past and its future

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The Feeling of Sound: Music Curating, Performing and Connecting with and through Music

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Arranging and Performing

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Johann Melchior Molter

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Situating Personal Values in Artistic Practice: Towards a Reflective and Reflexive Framework

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Music, Meaning and Emotion

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How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

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Flow, The Optimal Experience

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Classic Expression: the effect of storytelling in a classical concert for children

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Karol Szymanowski and Polish Folklore. Using Podhale folk music to inform performances of Szymanowski's Harnasie

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Musical Monticello: Classical Music and America

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The singing Performer: Who am I on stage when not singing?

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The German Bow in Tango Music

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Lyon & Healy: the American Harp

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Listening to Messiaen’s colourful hands

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The Performer Composer Relation

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Cranio Sacral Therapy and Singing

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“Invocación y Danza – Homenaje a Manuel de Falla” - a new light on the piece brought by the manuscript.

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Reading Garoto – a study over the legendary musician who changed Brazilian music.

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The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

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Poly-rhythmic structures as frameworks for improvisation.

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What is Music Theater?

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How to use feedback, advice and judgement after an exam

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The use of Bel Canto singing in the Italian opera of the XVIII century

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Examination of mid-nineteenth century double bass playing based on A. Müller and F.C. Franke’s discourse in the Neue Zeitschrift für Musik, 1848 – 1851

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Performing Classical Music in the 21st Century

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The Unplayable Notes of JS Bach

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Adapting Telemann’s unaccompanied violin fantasias to the guitar - an investigation of transcriptional methods

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Approaching jazz composition through the music of Billy Strayhorn

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A More Sincere Brahms: An Exploration of Widening Expressive Possibilities in the Opus 120 Clarinet Sonatas.

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The violin-type fingering and oblique left hand position in the history of cello technique

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"Art of drumming within jazz piano trio"

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An Interdisciplinary Approach to Jazz Performance

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Navigating through Harmony

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Collecting Repertoire for Kodály-inspired Music Lessons in Dutch Elementary Schools

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Playing by Heart

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The Joy of Practice. A Case study of Keren by I.Xenakis - The pursuit of happiness in our practice room

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Modern vertical thinking (Triad pairs over seventh chords)

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Exploring the space within intervals: an approach on different ways of shifting on cello

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The Early Violone

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Dancing About Music

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Jazz Drummer Elvin Jones: His Musical Heritage

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Fingering of the Viennese Double Bass

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A Study of Basso Continuo Instrumentation in Baroque Cello Sonatas With a Focus on Jean-Baptiste Barrière

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Developing Vocal Techniques in Contemporary Solo Double Bass Repertoire: A pedagogical approach to developing vocal techniques and coordination in Western classical-contemporary solo double bass repertoire

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Subversive Climes: Exploring the role of exoticism in Les Indes Galantes

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Holding the violin and how it influences sound and playing in historical performance practice. Historical perspectives.

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Music as an artificial language - an annotated collection of early music sources mentioning the relationship between instrumental music, singing, and speaking, questioning their relevance for today’s performers

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Performing modern music

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Body Language

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Forbidden Beauty: Performance Practice of un-notated arpeggio in fortepiano music in late 19th Century

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Referential Networks, Composing and the "Outside World"

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A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany

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Reseach: Caprice Basque, P. Sarasate

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Adrien-François Servais’s contribution to the evolution of the cello technique

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Frozen Improvisation

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Spatial awareness in instrumental music: Transformations of attention in a situation, becoming musical structure.

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Catch and Release: Field Recordings as Source for Instrumental Composition

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Extra-musical Systems in Music: their implementation in contemporary music in the context of multimedia

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Singing in the Music Theory Lesson: A model for how singing can be used as an effective teaching tool for a practical approach to the subject of music theory

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Perspectives on Kodály Cello Teaching

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Apollo’s Banquet for children: Teaching baroque music to the young violinist

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How can aspects of the Kodály philosophy and methodology be integrated into instrumental education?

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Vladislav Solotarjow and the Russian way of playing the accordion: a case study

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Music education in the Teacher Training College

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To understand staff notation aurally

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Searching for the Top Range in Early Nineteenth Century Bassoon Repertoire from Sweden: Issues of Material and/or Technique?'

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How Obvious is the Artistic and the Musical Expertise of the Music Teacher?

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Help! A Talent! The Student-Teacher Relationship in Higher Music Education

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Between building foundational skills and instilling self-guided learning: Solfège pedagogy in higher music education

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From Potential To Performance. Training Practice and Performance Preparation in Conservatoires

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how musicians use their brains

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A Musicians’ View on Cooperating with Composers: The influence of composers on the performance practice

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Fontegara as researcher

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Luigi Boccherini: patronage and musical life in Madrid between 1768 and 1805

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Italian elements in French music for traverso by J.M.Laclair and M.Blavet

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Proposing Live Electronics as an Alternative to Larger Performance Set-Ups

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Comparisons of Perspective in the Empfindsamer Stil: How the music of Carl Philipp Emmanuel Bach represents a microcosm of an emerging cultural initiative

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How Do You Swing a Quarter Note? An Analysis of the Great Walking Bassists of the 1950s and 60s.

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Keyboard transcriptions of orchestral works by M. Marais and J. Ph. Rameau

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Chordal Continuo Realization on the Violoncello: A look at the practice of chordal accompaniment by cellists over the course of two centuries, with a focus on recitative accompaniment practices between 1774 and 1832

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Jiří Čart (Georg Czarth) and his Flute Sonata in D minor

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Barry Harris: Exploring the Diminished

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The place of modern technique in historical performance practice.

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The influence of some characteristics of Romanian folk music on the Romanian Rhapsody no. 1 opus 11 by George Enescu – An arrangement for 2 pianos

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Combining Coco, Arranging for Het Coco Collectief

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Violin education in middle childhood

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Understanding Classical and Early Romantic Dynamics 1750-1830

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From Phrase to Phrasing - a Classical Perspective

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Of Rules and Canons — Raaijmakers' Reflection On Morphology

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The Power of Long Notes

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Searching for Sattler

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CompLex - an OSC and Voltage controlled Signal Path Generator (VC-SPG)

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Fast Notes!

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IN - The creation of an immerive music performance

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Double Bass Home Recordings

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Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation

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Adapting live classical music performance for different venues

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Babylon Quartet: Ghosts, Mirrors, and The River

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John Cage's Bacchanale. A reconstruction for percussion ensemble.

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On Electronic Sound Sculptures: Circuits and Aesthetics

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Josef Beer - The perfect clarinetist

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To beat or not to beat

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Ottoman music as a source of inspiration for today’s composers

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To be melodramatic: Writing a text to music according to the melodramatic tradition

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Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble.

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Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino

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The Brass Players Stutter

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George Lloyd - Music for Brass, from symphony to test-piece

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Learning the altissimo register of the saxophone

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The characters of the flute. A performer’s exploration of the dramatic roles of the baroque flute

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Squalid and Obscure: Timbral Word Painting at the Arpa Doppia

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The success of a symphonic transcription

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The Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments

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The Sound of the Big Band: Between evolution and continuity

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From Aural Teaching to Musical Literacy in the Elementary Horn Class

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The Mental Effect of the (Temporary) Tonic: a study of tones in jazz tunes through John Curwen's Tonic Sol-fa

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Seventeenth-century cello playing, focussing mainly on bow technique

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Breathtaking: An alternative approach to breathing for trumpeters

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The Philly Joe Jones Rudimental Soloing Style

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The Development of the Performer's Role in Karlheinz Stockhausen's Piano Works

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Building Bridges Between the Modern Composer and Classically Trained Singer

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Nights in the Spanish Gardens. Meaning and inspiration

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Emancipation of the Clarinet (1720-1760)

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The Accompaniment for the Villancico in New Spain

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Entwine – finding music within a poem.

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Madness in music

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Violin Baroque Pieces on Soprano Saxophone

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Hearing Double: how to use the double bass in the VI Concerti Armonici by Unico Wilhelm van Wassenaer.

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Deliver the meaning - Performance expression in a physical shape

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From publisher to public

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The Music of Johann Rudolph Ahle

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European Female Wind Band Composers and Their Works

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To bow, or not to bow

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The Voice of the Chalumeau

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Intentional Listening

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Monteverdi and the architecture of emotions

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The Can of Norms: Expanding the Modern Lute Plucking Technique

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The Art of Arpeggiation

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Towards an integrated method for practicing: internalizing the composer’s language.

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Concepts of Embodiment in Interdisciplinary Work Within a Musical Context

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Performing the 'Group of the Six'

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La Courante Françoise. Historically Informed Performance of the French Courante For Harpsichord During the Second Half of the Seventeenth Century Following the Criteria Obtained From the Baroque Dance

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The Improvisational Ear-How to build improvisational language through the study of speech

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Did They Throw Tomatoes? The Performer-Audience Relationship in 18th-century England

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Approaching a Rhetorical Performance of Late 18th Century Keyboard Music from the Methods of john Walker

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Intention-based Piano Pedagogy

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I'm Nobody, Who am I?

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How can a performance of Shostakovich’ piano quintet be dramatized by using words, movements, staging and lighting?

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Monteverdi’s lamenti and lettere amorose and the pre-existing art of declamation

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Berio violin duets - an introduction

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Speaking directly in an indirect way

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Tenor in Puccini's opera

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Playing Harmonium Art Music on the Concert Accordion

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Pedro Pérez de Albéniz: Fortepiano Fantasies

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The art of auditioning

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Creating open form scores for improvising musicians

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Historically Inspired Improvisation - Improvising on basis of 19th-century music making

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Document the Sound Projection of Aus Licht

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From the forest to the concert hall

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Singing and Well-being - The Experiences of Professional Choir Singers

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On the role of organ music

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16th-Century Keyboard Tablature as Performance Notation

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Britten Folksongs and Their Traditional Counterparts

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La pratica degli affetti - The practice of affections

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How can I find my own voice through my instrument

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The Effect of Mental Imagery in Daily Practice

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SIMPLICITY OF STRONG EMOTION: Study on the performance style of Frederic Mompou based on his recording of Cants Màgics

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BEL CANTO AND HÄNDEL: The evolution of bel canto throughout the history and its implementation into the interpretation of Italian operatic music for tenor composed by Georg Friedrich Händel

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A discourse on the basset horn between 1770 -1850 in Vienna and German-speaking countries

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Expanding a Repertoire

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The Limits of Traverso; Exploring the sound possibilities of traverso through contemporary music

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Angelical music XVI-XVIII centuries music from the New World

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The Prolonged Touch: Finger Pedaling and Legatissimo in Classical and Early Romantic Piano Music

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Rethinking ornamentation : a rhetorical approach to da capo arias of Georg Friedrich Händel

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The instrumental section singer - Implementing vocals in a 3 part horn arrangement

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Gestures and their role in restoring a singer’s performance-focus

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The bassoon in Barcelona in the second half of the XVIIIth century

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DEBUSSY AND MOVEMENT - IMANOL CASAN

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Losing time

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(RE)SOUNDING ALEXANDER J. ELLIS: A SPECULATIVE BIOGRAPHY THROUGH TUNING, SONG WRITING AND COMPOSITION. (exam version)

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Antonio Casimir Cartellieri: a forgotten master at the Viennese Court

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An Approach to Romantic cello playing in Brahms's time

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SOUND IDENTITY

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How Do I Compose Music Based on Game Rules? Transforming the Emotions of a Game Into Music

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Teaching jazz double bass in the 21st century

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Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

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Down to business

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The horn of Leutgeb and Mozart : investigation and experimentation

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Effects of visual instructions in one-on-one violin lessons

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Walton viola Concerto beyond the score

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Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

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The Bass Guitar in the Contemporary Music

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Unraveling Musical Relativity: Following in the Footsteps of 19th-century Conductors

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Diminutions, Divisions, and Doubles in Viol Literature

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Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

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Mastering trumpet excerpts for wind band orchestra: practicing, making exercises and testing their pedagogical usefulness

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Innovative Practice of Enhancing Musical Perceptions

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JAZZ DRUMS: 5 unconventional comping examples

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Batterie & Baroque Guitars

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A Study on Ornamentation and Expression in French vocal Music (1650-1750)

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Intabulation as process and practice (Master thesis)

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Playing with Words

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Piano four-hands, "once again"

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Taking off the mask: embracing vulnerability on stage

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E quando mai potro cessar di piangere ? : an exploration of the links between arias with obbligato instruments and musical affects in Antonio Caldara’s oratorios composed between 1716 and 1736 for the Habsburg’s Hofmusikkapelle in Vienna

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Giuseppe Torelli and the birth of the Violin Concerto

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From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

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What is the word

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How can autonomy and active learning be stimulated in a blended oboe class program?

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Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

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Integration and development of jazz drum soloing

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The Arabic Maqam on Double Bass

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The discovery of Ludovicus Mirandolle’s manuscripts

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Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

Research Catalogue KC

One in Norway by One of Them: Vlogging for Classical Musicians

Research Catalogue KC

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

Research Catalogue KC

OBOETRY – French poetry played in melody: a poetical & vocal approach to French 'mélodie' on oboe

Research Catalogue KC

A case study of instrument design

Research Catalogue KC

The Transfigured Guitar of Alberto Ginastera Sonata for Guitar, op. 47

Research Catalogue KC

No Joy in the Brilliance of Sunshine

Research Catalogue KC

"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski

Research Catalogue KC

Rethinking the traditional concert format through the lens of Russian mystic composer Nikolai Obukhov

Research Catalogue KC

Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance

Research Catalogue KC

La Basse de Violon

Research Catalogue KC

Searching for the Siren | Exploring contemporary vocal aesthetics

Research Catalogue KC

Cello Meets Soleares

Research Catalogue KC

Out of the "Engine Rooms"

Research Catalogue KC

"Avec Picasso, ce matin..."

Research Catalogue KC

The appearance of the sound

Research Catalogue KC

ECOGNOSIS: Ecological Awareness in Multimedia Composition

Research Catalogue KC

OPTIMAL Practising: An Autonomous Journey of Exploring Enhanced Expectancies and External Focus

Research Catalogue KC

How to understand stage fright?

Research Catalogue KC

Research and Critical Edition of Capriccio Diabolico by Mario Castelnuovo-Tedesco

Research Catalogue KC

Performing Music Theory

Research Catalogue KC

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Research Catalogue KC
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Casper Schipper