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#research catalogue

Here I want to be - Wandering through poetic fieldnotes

Research Catalogue KC

Albeniz, from the piano to the wind

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Between air and electricity : microphones and loudspeakers as musical instruments

Research Catalogue ACPA

A Garden of Sounds and Flavours: Establishing a synergistic relationship between music and food in live performance settings

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How to understand stage fright?

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Playing with Words

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Angelical music XVI-XVIII centuries music from the New World

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The Can of Norms: Expanding the Modern Lute Plucking Technique

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Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble.

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Fontegara as researcher

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A Study of Basso Continuo Instrumentation in Baroque Cello Sonatas With a Focus on Jean-Baptiste Barrière

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Musical Monticello: Classical Music and America

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Finding Home: An Exploration of South African Art Music through the Classical Saxophone and Collaborative Practice

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Imagine

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The Usage of recordings from other musicians as a source of information by students of Classical Music

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Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Research Catalogue ACPA

The Transfigured Guitar of Alberto Ginastera Sonata for Guitar, op. 47

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Down to business

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The art of auditioning

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The Accompaniment for the Villancico in New Spain

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Fast Notes!

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Apollo’s Banquet for children: Teaching baroque music to the young violinist

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The Unplayable Notes of JS Bach

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Double Bass in Indian Classical Music

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Navigating in Overlaps: Redefining Performance Space as Multi-Space

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Look again

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Sonic Placemaking: (Re)Creating Place as a Comprehensive Compositional Practice

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Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Research Catalogue ACPA

What is the word

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The Prolonged Touch: Finger Pedaling and Legatissimo in Classical and Early Romantic Piano Music

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Intention-based Piano Pedagogy

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Squalid and Obscure: Timbral Word Painting at the Arpa Doppia

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How Do You Swing a Quarter Note? An Analysis of the Great Walking Bassists of the 1950s and 60s.

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Developing Vocal Techniques in Contemporary Solo Double Bass Repertoire: A pedagogical approach to developing vocal techniques and coordination in Western classical-contemporary solo double bass repertoire

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Reading Garoto – a study over the legendary musician who changed Brazilian music.

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Auctor incertus: Issues of authorship and anonymity around Missa Inviolata (ca. 1520s)

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The process of vihuela intabulation of sacred music in 16th century Spain

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Creating and re-creating tangos : artistic processes and innovations in music by Pugliese, Salgán, Piazzolla and Beytelmann

Research Catalogue ACPA

Place to Action! Art that Inteferes

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ECOGNOSIS: Ecological Awareness in Multimedia Composition

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Batterie & Baroque Guitars

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How can I find my own voice through my instrument

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The Music of Johann Rudolph Ahle

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Josef Beer - The perfect clarinetist

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how musicians use their brains

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Exploring the space within intervals: an approach on different ways of shifting on cello

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Situating Personal Values in Artistic Practice: Towards a Reflective and Reflexive Framework

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Engaging the Audience: a Matter beyond Music?

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Interrupts And Intervention

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Historical Clarinet Mouthpieces: An Analysis and Re-creation studyHistorical Clarinet Mouthpieces: An Analysis and 3D Re-creation study

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The deep-rooted microtonality of the bass clarinet

Research Catalogue ACPA

No Joy in the Brilliance of Sunshine

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The horn of Leutgeb and Mozart : investigation and experimentation

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Creating open form scores for improvising musicians

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Entwine – finding music within a poem.

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From Phrase to Phrasing - a Classical Perspective

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Spatial awareness in instrumental music: Transformations of attention in a situation, becoming musical structure.

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Adapting Telemann’s unaccompanied violin fantasias to the guitar - an investigation of transcriptional methods

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"Encumbered with useless graces": Ornamentation and Aesthetics in Eighteenth-century Scottish Music

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Methodology for developing and internalising rhythm and timing through body movement for jazz students

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Michael Chekhov’s acting technique through the lens of a classical singer

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Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Research Catalogue ACPA

How can autonomy and active learning be stimulated in a blended oboe class program?

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Rethinking ornamentation : a rhetorical approach to da capo arias of Georg Friedrich Händel

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La Courante Françoise. Historically Informed Performance of the French Courante For Harpsichord During the Second Half of the Seventeenth Century Following the Criteria Obtained From the Baroque Dance

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The success of a symphonic transcription

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Keyboard transcriptions of orchestral works by M. Marais and J. Ph. Rameau

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Subversive Climes: Exploring the role of exoticism in Les Indes Galantes

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The Performer Composer Relation

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‘What are the most effective collaborative strategies to seamlessly integrate instrumental music and theatre in family performances?’

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Making a simple International Phonetic Alphabet (IPA)—For singers, conductors and composers

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(De)Composing Immersion

Research Catalogue ACPA

The Kodály effect: Measuring musical literacy in Dutch primary school children

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OPTIMAL Practising: An Autonomous Journey of Exploring Enhanced Expectancies and External Focus

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Mastering trumpet excerpts for wind band orchestra: practicing, making exercises and testing their pedagogical usefulness

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The Effect of Mental Imagery in Daily Practice

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European Female Wind Band Composers and Their Works

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To beat or not to beat

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To understand staff notation aurally

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The Early Violone

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Music, Meaning and Emotion

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Creating an audiovisual performance through interdisciplinary collaboration

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SRL: Enhancing Self-Regulated Learning for Musicians

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Interpretation of Schumann's 'Humoreske' in B flat major, op. 20, within the context of Jean Paul Richter's romantic concept of 'humor'

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The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries

Research Catalogue ACPA

"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski

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Effects of visual instructions in one-on-one violin lessons

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Historically Inspired Improvisation - Improvising on basis of 19th-century music making

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The Development of the Performer's Role in Karlheinz Stockhausen's Piano Works

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Of Rules and Canons — Raaijmakers' Reflection On Morphology

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Catch and Release: Field Recordings as Source for Instrumental Composition

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Approaching jazz composition through the music of Billy Strayhorn

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New (old) Music - Intercontextual Compositional Methodologies

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Crossing Borders

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Keith Jarrett: The Köln Concert, re-composition for a big ensemble

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LOCVS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Research Catalogue ACPA

Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

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The instrumental section singer - Implementing vocals in a 3 part horn arrangement

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The Improvisational Ear-How to build improvisational language through the study of speech

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The Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments

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Chordal Continuo Realization on the Violoncello: A look at the practice of chordal accompaniment by cellists over the course of two centuries, with a focus on recitative accompaniment practices between 1774 and 1832

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Holding the violin and how it influences sound and playing in historical performance practice. Historical perspectives.

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Cranio Sacral Therapy and Singing

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Jazz / Pop Singing at the Crossroads of Movement and Musical elements

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Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata

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Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

Research Catalogue ACPA

Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

Out of the "Engine Rooms"

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Innovative Practice of Enhancing Musical Perceptions

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SIMPLICITY OF STRONG EMOTION: Study on the performance style of Frederic Mompou based on his recording of Cants Màgics

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To bow, or not to bow

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Ottoman music as a source of inspiration for today’s composers

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Searching for the Top Range in Early Nineteenth Century Bassoon Repertoire from Sweden: Issues of Material and/or Technique?'

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Navigating through Harmony

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How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

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Musical Psycho Performance

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A YEAR IN THE LIFE OF THE SONOLOGY ELECTROACOUSTIC ENSEMBLE

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“How to motivate students in classroom mandatory music lessons?”

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Propaganda Art from the 20th to the 21st Century

Research Catalogue ACPA

OBOETRY – French poetry played in melody: a poetical & vocal approach to French 'mélodie' on oboe

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Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

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Berio violin duets - an introduction

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Building Bridges Between the Modern Composer and Classically Trained Singer

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The Power of Long Notes

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Extra-musical Systems in Music: their implementation in contemporary music in the context of multimedia

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A More Sincere Brahms: An Exploration of Widening Expressive Possibilities in the Opus 120 Clarinet Sonatas.

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Embodied Bits

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The Ways We Teach

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Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach

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Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Research Catalogue ACPA

Piano four-hands, "once again"

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Gestures and their role in restoring a singer’s performance-focus

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Did They Throw Tomatoes? The Performer-Audience Relationship in 18th-century England

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The Sound of the Big Band: Between evolution and continuity

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Jiří Čart (Georg Czarth) and his Flute Sonata in D minor

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Music as an artificial language - an annotated collection of early music sources mentioning the relationship between instrumental music, singing, and speaking, questioning their relevance for today’s performers

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“Invocación y Danza – Homenaje a Manuel de Falla” - a new light on the piece brought by the manuscript.

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Encoding Emotion

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Felipe Libón, the first travelling Spanish Virtuoso and his Violin Concerto No.6 (1812). A Performance Practice case study: I. Poco Allegro

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ReForm

Research Catalogue ACPA

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Research Catalogue ACPA

"Avec Picasso, ce matin..."

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JAZZ DRUMS: 5 unconventional comping examples

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From the forest to the concert hall

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The Voice of the Chalumeau

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Adapting live classical music performance for different venues

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How Obvious is the Artistic and the Musical Expertise of the Music Teacher?

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Collecting Repertoire for Kodály-inspired Music Lessons in Dutch Elementary Schools

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Flow, The Optimal Experience

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La trompa de la salsa: the role of the French Horn in Afro-Cuban music

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Creative performer | Performing creative

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Divertimento Sextet

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Audible absence: searching for the site in sound production

Research Catalogue ACPA

A case study of instrument design

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How Do I Compose Music Based on Game Rules? Transforming the Emotions of a Game Into Music

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Speaking directly in an indirect way

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Nights in the Spanish Gardens. Meaning and inspiration

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Searching for Sattler

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Singing in the Music Theory Lesson: A model for how singing can be used as an effective teaching tool for a practical approach to the subject of music theory

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How to use feedback, advice and judgement after an exam

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Waldorf music education meets Kodály methodology.

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Diamond Marimba as a Creative Tool

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The Viennese violone : A "Viennoiserie" with 5 spices

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Multiple Paths: Towards a Performance Practice in Computer Music

Research Catalogue ACPA

Taking off the mask: embracing vulnerability on stage

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The bassoon in Barcelona in the second half of the XVIIIth century

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Approaching a Rhetorical Performance of Late 18th Century Keyboard Music from the Methods of john Walker

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Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino

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Barry Harris: Exploring the Diminished

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Performing modern music

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Finding Focus

Research Catalogue ACPA

How (not) to write a B♭ french horn beginners method book

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The Voice in Arranging - Rethinking the role of vocalists in big bands and large ensembles

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(2019) The Singing Violin: Portamento use in Franz Schubert’s violin music

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The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Research Catalogue ACPA

The appearance of the sound

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Walton viola Concerto beyond the score

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Singing and Well-being - The Experiences of Professional Choir Singers

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Intentional Listening

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Babylon Quartet: Ghosts, Mirrors, and The River

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Help! A Talent! The Student-Teacher Relationship in Higher Music Education

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Playing by Heart

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Classic Expression: the effect of storytelling in a classical concert for children

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Between Performance and Notation: How did Carl Reinecke understand Mozart’s piano concerto No.26 K.537?

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Learning Pods

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With trumpets?

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Imagined Voices : a poetics of Music-Text-Film

Research Catalogue ACPA

The discovery of Ludovicus Mirandolle’s manuscripts

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Teaching jazz double bass in the 21st century

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Tenor in Puccini's opera

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Emancipation of the Clarinet (1720-1760)

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CompLex - an OSC and Voltage controlled Signal Path Generator (VC-SPG)

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Perspectives on Kodály Cello Teaching

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The use of Bel Canto singing in the Italian opera of the XVIII century

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The Flexible Trombonist

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Deep Listening Today: Connecting with audiences through the music and teachings of Pauline Oliveros and others

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Interluding: Identifying practice methods for classical improvisation on the Violin

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Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz.

Research Catalogue ACPA

E quando mai potro cessar di piangere ? : an exploration of the links between arias with obbligato instruments and musical affects in Antonio Caldara’s oratorios composed between 1716 and 1736 for the Habsburg’s Hofmusikkapelle in Vienna

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DEBUSSY AND MOVEMENT - IMANOL CASAN

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The Art of Arpeggiation

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The Brass Players Stutter

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Luigi Boccherini: patronage and musical life in Madrid between 1768 and 1805

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Body Language

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Listening to Messiaen’s colourful hands

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Authenticity in Transcribing

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Mindfulness for violinists

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'What may have happened…'

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Musika: The becoming of an artistic musical metaphysics

Research Catalogue ACPA

Searching for the Siren | Exploring contemporary vocal aesthetics

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Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

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On the role of organ music

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Madness in music

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John Cage's Bacchanale. A reconstruction for percussion ensemble.

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Between building foundational skills and instilling self-guided learning: Solfège pedagogy in higher music education

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The Joy of Practice. A Case study of Keren by I.Xenakis - The pursuit of happiness in our practice room

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Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

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"Inseparable": Music and Dance in a Cross-Disciplinary Practice

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Lectorate Event 2019

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Singing and Playing - A Kodály Approach to Cello Playing

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Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

Research Catalogue ACPA

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

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Losing time

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Playing Harmonium Art Music on the Concert Accordion

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From Aural Teaching to Musical Literacy in the Elementary Horn Class

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Violin education in middle childhood

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Referential Networks, Composing and the "Outside World"

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Examination of mid-nineteenth century double bass playing based on A. Müller and F.C. Franke’s discourse in the Neue Zeitschrift für Musik, 1848 – 1851

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The art of the violin in Verdiales

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KEYBOARD MUSICIANSHIP: "Developing a methodology through musical repertoire"

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Aimpathy

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In Search of the Public: Exploring Contemporary Performance Practices of Classical Music in the Netherlands

Research Catalogue ACPA

Giuseppe Torelli and the birth of the Violin Concerto

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BEL CANTO AND HÄNDEL: The evolution of bel canto throughout the history and its implementation into the interpretation of Italian operatic music for tenor composed by Georg Friedrich Händel

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Towards an integrated method for practicing: internalizing the composer’s language.

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George Lloyd - Music for Brass, from symphony to test-piece

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Italian elements in French music for traverso by J.M.Laclair and M.Blavet

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Forbidden Beauty: Performance Practice of un-notated arpeggio in fortepiano music in late 19th Century

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The singing Performer: Who am I on stage when not singing?

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Augmented Feedback: A Compositional Approach to Acoustic Feedback in Digital Spaces

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Listening to / in Public Space

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APPROACHING IMAGES: A Journey from Imagery to the Concrete

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Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

Research Catalogue ACPA

Cello Meets Soleares

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The Bass Guitar in the Contemporary Music

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16th-Century Keyboard Tablature as Performance Notation

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Violin Baroque Pieces on Soprano Saxophone

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On Electronic Sound Sculptures: Circuits and Aesthetics

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From Potential To Performance. Training Practice and Performance Preparation in Conservatoires

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Modern vertical thinking (Triad pairs over seventh chords)

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A modern analysis of Historical Informed Performance: considerations about the method, its past and its future

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Queer and Gender-Fluid Artists in the Music Performance Universe of the 17th, 18th, and 19th Centuries

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Classic Express Research project

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Hindemith’s Musical Enigmas Through the Eyes of Bach

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The magic of projection : augmentation and immersion in media art

Research Catalogue ACPA

One in Norway by One of Them: Vlogging for Classical Musicians

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(RE)SOUNDING ALEXANDER J. ELLIS: A SPECULATIVE BIOGRAPHY THROUGH TUNING, SONG WRITING AND COMPOSITION. (exam version)

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Pedro Pérez de Albéniz: Fortepiano Fantasies

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The Mental Effect of the (Temporary) Tonic: a study of tones in jazz tunes through John Curwen's Tonic Sol-fa

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Understanding Classical and Early Romantic Dynamics 1750-1830

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A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany

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Performing Classical Music in the 21st Century

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The use of the horn in the late orchestral works by Robert Schumann

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YEARNING TO CONNECT A Short Introduction to Music Curatorship

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Percussion Meets Environmentalism: A method of performance for environmental awareness

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Research and Critical Edition of Capriccio Diabolico by Mario Castelnuovo-Tedesco

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From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

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A discourse on the basset horn between 1770 -1850 in Vienna and German-speaking countries

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Concepts of Embodiment in Interdisciplinary Work Within a Musical Context

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Learning the altissimo register of the saxophone

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Proposing Live Electronics as an Alternative to Larger Performance Set-Ups

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Dancing About Music

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The German Bow in Tango Music

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Towards a forgotten language I implications of prelinguistic language and aphasia in my vocal works

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Two Viennese piano schools: Beethoven and Hummel

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An Embouchure Aid for Wind Musicians

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The variational mode: three cases about documents, artworks and animation

Research Catalogue ACPA

Adding to the Narrative: Intersectional Feminist Critical Curatorial Practices in Classical Vocal Music Performance

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Unraveling Musical Relativity: Following in the Footsteps of 19th-century Conductors

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Britten Folksongs and Their Traditional Counterparts

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Hearing Double: how to use the double bass in the VI Concerti Armonici by Unico Wilhelm van Wassenaer.

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IN - The creation of an immerive music performance

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How can aspects of the Kodály philosophy and methodology be integrated into instrumental education?

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The violin-type fingering and oblique left hand position in the history of cello technique

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The Feeling of Sound: Music Curating, Performing and Connecting with and through Music

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Understanding the Wagner Tuba: a practical guide for horn players

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Hearing Geoelectric

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The extra dimension: exploring 3D use of the accordion bellows

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Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon

Research Catalogue ACPA

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

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Antonio Casimir Cartellieri: a forgotten master at the Viennese Court

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I'm Nobody, Who am I?

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Seventeenth-century cello playing, focussing mainly on bow technique

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The place of modern technique in historical performance practice.

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Reseach: Caprice Basque, P. Sarasate

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The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

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Connections; The artistic process of creating a multimedia performance

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Laments for a Modern World: Exploring the pathetic capabilities of 17th-century Laments

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An Investigation of Eastern Cultural Influences in the Classical Guitar Solo Repertoire.

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Performing Music Theory

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A Study on Ornamentation and Expression in French vocal Music (1650-1750)

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Expanding a Repertoire

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Performing the 'Group of the Six'

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The characters of the flute. A performer’s exploration of the dramatic roles of the baroque flute

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Comparisons of Perspective in the Empfindsamer Stil: How the music of Carl Philipp Emmanuel Bach represents a microcosm of an emerging cultural initiative

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Jazz Drummer Elvin Jones: His Musical Heritage

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Lyon & Healy: the American Harp

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Keys and Cords: A Comparison of Piano and Vocal Teaching Strategies

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The role of music theory in professional music education, a historic overview [Snapshot from dev system - 2022-12-06 14:40]

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Camilo Arias - Master Research Last Sand

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Cantos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

Research Catalogue ACPA

La Basse de Violon

Research Catalogue KC

Diminutions, Divisions, and Doubles in Viol Literature

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La pratica degli affetti - The practice of affections

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Deliver the meaning - Performance expression in a physical shape

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Double Bass Home Recordings

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Vladislav Solotarjow and the Russian way of playing the accordion: a case study

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"Art of drumming within jazz piano trio"

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Arranging and Performing

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Juan Manuel Gaitán y Arteaga, the influenced musician [final]

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Research Projects Lectorate Music, Education & Society 2018-2021

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Composing Situation: An approach for understanding and repeating a musical practice

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Het Urban Future-project

Research Catalogue ACPA

Integration and development of jazz drum soloing

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An Approach to Romantic cello playing in Brahms's time

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How can a performance of Shostakovich’ piano quintet be dramatized by using words, movements, staging and lighting?

Research Catalogue KC

Breathtaking: An alternative approach to breathing for trumpeters

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The influence of some characteristics of Romanian folk music on the Romanian Rhapsody no. 1 opus 11 by George Enescu – An arrangement for 2 pianos

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Adrien-François Servais’s contribution to the evolution of the cello technique

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Poly-rhythmic structures as frameworks for improvisation.

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Are you colour deaf?

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The Significance of Chinese Art Songs by Huang Tzu (1904 - 1938)

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Clarinet Pedagogy in Times of Change and Advancement: The Evolution of Amand Vanderhagen’s Méthode Nouvelle et Raisonnée pour La Clarinette

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A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

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Intabulation as process and practice (Master thesis)

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The Limits of Traverso; Exploring the sound possibilities of traverso through contemporary music

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Monteverdi and the architecture of emotions

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To be melodramatic: Writing a text to music according to the melodramatic tradition

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A Musicians’ View on Cooperating with Composers: The influence of composers on the performance practice

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Fingering of the Viennese Double Bass

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Karol Szymanowski and Polish Folklore. Using Podhale folk music to inform performances of Szymanowski's Harnasie

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The space we are in

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Theory in Practice – Analysing Music Theory

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HOW TO IMPROVE CELLO ORCHESTRAL EXCERPTS

Research Catalogue KC

The reflections of memory : an account of a cognitive approach to historically informed staging

Research Catalogue ACPA

Rethinking the traditional concert format through the lens of Russian mystic composer Nikolai Obukhov

Research Catalogue KC

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

Research Catalogue KC

Document the Sound Projection of Aus Licht

Research Catalogue KC

From publisher to public

Research Catalogue KC

Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation

Research Catalogue KC

Music education in the Teacher Training College

Research Catalogue KC

An Interdisciplinary Approach to Jazz Performance

Research Catalogue KC

Johann Melchior Molter

Research Catalogue KC

Possible Connection between the Development of Executive Functions and Music Education According to the Kodály Concept

Research Catalogue KC

Sound spatialization in live electronic music

Research Catalogue KC

LEADING FROM THE HARPSICHORD: A HISTORICAL INFORMED APPROACH TO EARLY MUSIC 'CONDUCTING'

Research Catalogue KC

Shifting identities : the musician as theatrical perfomer

Research Catalogue ACPA

The Arabic Maqam on Double Bass

Research Catalogue KC

SOUND IDENTITY

Research Catalogue KC

Monteverdi’s lamenti and lettere amorose and the pre-existing art of declamation

Research Catalogue KC

The Philly Joe Jones Rudimental Soloing Style

Research Catalogue KC

Combining Coco, Arranging for Het Coco Collectief

Research Catalogue KC

Frozen Improvisation

Research Catalogue KC

What is Music Theater?

Research Catalogue KC

Disseminating & Connecting Research Data

Joint Research Day '23 (JRD23)
Fr 27 Oct 2023 14:00 – 14:30, Presentation - Gallery 2, KABK, Prinsessegracht 4
People

Casper Schipper