Research Catalogue KC

The output of finished research published in the Research Catalogue (RC), an international database for artistic research, has been connected to the website researchplatform.art. The RC is already being used extensively in the staff research & education of the Royal Conservatoire (KC) and the Academy of Creative & Performing Arts (ACPA). The Royal Academy of Art (KABK) will follow mid-2023. This means that all open publications from the RC can consequently be found via researchplatform.art through the search option.

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Has 332 sub projects

Research Catalogue KC

Two Viennese piano schools: Beethoven and Hummel

The role of music theory in professional music education, a historic overview [Snapshot from dev system - 2022-12-06 14:40]

Theory in Practice – Analysing Music Theory

Imagine

Interrupts And Intervention

A YEAR IN THE LIFE OF THE SONOLOGY ELECTROACOUSTIC ENSEMBLE

Creative performer | Performing creative

SRL: Enhancing Self-Regulated Learning for Musicians

Learning Pods

Lectorate Event 2019

Hearing Geoelectric

Crossing Borders

Sound spatialization in live electronic music

Look again

Methodology for developing and internalising rhythm and timing through body movement for jazz students

The Ways We Teach

Diamond Marimba as a Creative Tool

Deep Listening Today: Connecting with audiences through the music and teachings of Pauline Oliveros and others

KEYBOARD MUSICIANSHIP: "Developing a methodology through musical repertoire"

Classic Express Research project

Research Projects Lectorate Music, Education &amp; Society 2018-2021

Berio violin duets - an introduction

YEARNING TO CONNECT A Short Introduction to Music Curatorship

Listening to / in Public Space

'What may have happened…'

A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany

Extra-musical Systems in Music: their implementation in contemporary music in the context of multimedia

Singing in the Music Theory Lesson: A model for how singing can be used as an effective teaching tool for a practical approach to the subject of music theory

Perspectives on Kodály Cello Teaching

Referential Networks, Composing and the "Outside World"

Spatial awareness in instrumental music: Transformations of attention in a situation, becoming musical structure.

Catch and Release: Field Recordings as Source for Instrumental Composition

The Power of Long Notes

Searching for Sattler

CompLex - an OSC and Voltage controlled Signal Path Generator (VC-SPG)

Violin education in middle childhood

Understanding Classical and Early Romantic Dynamics 1750-1830

How can aspects of the Kodály philosophy and methodology be integrated into instrumental education?

Vladislav Solotarjow and the Russian way of playing the accordion: a case study

Music education in the Teacher Training College

Apollo’s Banquet for children: Teaching baroque music to the young violinist

Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation

Fast Notes!

From Phrase to Phrasing - a Classical Perspective

Of Rules and Canons — Raaijmakers' Reflection On Morphology

Adapting live classical music performance for different venues

Babylon Quartet: Ghosts, Mirrors, and The River

John Cage's Bacchanale. A reconstruction for percussion ensemble.

On Electronic Sound Sculptures: Circuits and Aesthetics

IN - The creation of an immerive music performance

Double Bass Home Recordings

Ottoman music as a source of inspiration for today’s composers

George Lloyd - Music for Brass, from symphony to test-piece

Learning the altissimo register of the saxophone

The characters of the flute. A performer’s exploration of the dramatic roles of the baroque flute

To be melodramatic: Writing a text to music according to the melodramatic tradition

Transcribing Rachmaninoff’s Variations on a Theme of Corelli for Orchestral Ensemble.

Josef Beer - The perfect clarinetist

To beat or not to beat

The Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments

The Sound of the Big Band: Between evolution and continuity

Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino

The Brass Players Stutter

Squalid and Obscure: Timbral Word Painting at the Arpa Doppia

The success of a symphonic transcription

Emancipation of the Clarinet (1720-1760)

From Aural Teaching to Musical Literacy in the Elementary Horn Class

The Mental Effect of the (Temporary) Tonic: a study of tones in jazz tunes through John Curwen's Tonic Sol-fa

Seventeenth-century cello playing, focussing mainly on bow technique

Breathtaking: An alternative approach to breathing for trumpeters

The Philly Joe Jones Rudimental Soloing Style

To bow, or not to bow

Building Bridges Between the Modern Composer and Classically Trained Singer

The Voice of the Chalumeau

Nights in the Spanish Gardens. Meaning and inspiration

Intentional Listening

Madness in music

Violin Baroque Pieces on Soprano Saxophone

Hearing Double: how to use the double bass in the VI Concerti Armonici by Unico Wilhelm van Wassenaer.

Research Projects Lectorate Music, Education & Society 2018-2021