acpa

LUCAS Reading Group #4 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

Fr 24 Mar 2023 13:00 – 15:00, Meeting Reading Group - Lipsius Building, Room 1.54

Documentation Available - Info Session ACPA PhD and Dual PhD Leiden University

Two-Part Symposium 'After Work Conversations'

Th 20 Apr 2023 10:00 – 16:00, Symposium #1 Play Harder, Work Harder - KABK, The Hague

Th 11 May 2023 10:00 – 16:00, Symposium #2 Post-Work-Imaginaries - HfK Bremen, Bremen

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

Research Catalogue ACPA

Scorescapes : on sound, environment and sonic consciousness

Research Catalogue ACPA

The Emergent /~\rtistic Object in the |>ostconceptual (ondition

Research Catalogue ACPA

The (ognitive continuum of electronic music

Research Catalogue ACPA

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Research Catalogue ACPA

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

Research Catalogue ACPA

‘Ūd Taqsīm as a Model of |>re-(omposition

Research Catalogue ACPA

Figuring things out together: on the relationship between design and collective practice

Research Catalogue ACPA

/~\n improvisatory approach to nineteenth-century music

Research Catalogue ACPA

Writing performance : on relations between texts and performances

Research Catalogue ACPA

On the origin of patterning in movable Latin type : |≥enaissance standardisation, systematisation, and unitisation of textura and roman type

Research Catalogue ACPA

In search of a politesse du chant - |≥ediscovering salon vocal performance practice through the lens of the airs sérieux in the |≥ecueils d’airs serieux et à boire de differents autheurs, 1695-1699

Research Catalogue ACPA

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Research Catalogue ACPA

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Research Catalogue ACPA

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

Research Catalogue ACPA

Territoriality and choreography in site-situated performance

Research Catalogue ACPA

|>hónè and the political potential of metal music : a scholarly intervention

Research Catalogue ACPA

Between Freedom and Fixity: /~\rtistic |≥eflections on (omposition and Improvisation

Research Catalogue ACPA

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

Research Catalogue ACPA

La (etra (ornuta : the Horned Lyre of the (hristian World

Research Catalogue ACPA

The Informed |>erformer

Research Catalogue ACPA

Global Music: |≥ecasting and |≥ethinking the |>opular as Global

Research Catalogue ACPA

In Search of /~\ Lost Language: |>erforming in Early-|≥ecorded Style in Viola and String Quartet |≥epertoires (October 2019)

Research Catalogue ACPA

Johan van Meurs : een studie over een pionierend orgeladviseur

Research Catalogue ACPA

(alypso music : identity and social influence : the Trinidadian experience (November 2016)

Research Catalogue ACPA

The |>olyphonic Touch. (oarticulation and polyphonic expression in the performance of piano and organ music

Research Catalogue ACPA

|≥omanticizing Brahms: Early |≥ecordings and the [De](onstruction of Brahmsian Identity

Research Catalogue ACPA

Thinking through the guitar: the sound-cell-texture chain

Research Catalogue ACPA

What late medieval chant manuscripts do to a present-day performer of plainchant

Research Catalogue ACPA

/~\lverata, hedendaagse Europese letters met wortels in de middeleeuwen

Research Catalogue ACPA

Thirty Sixth Series of the Next Kind of Series

Research Catalogue ACPA

Typeface design for visually impaired children

Research Catalogue ACPA

Basso continuo sources from the Dutch |≥epublic c. 1620-c1790

Research Catalogue ACPA

The conflict of the faculties : perspectives on artistic research and academia

Research Catalogue ACPA

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to |≥ameau

Research Catalogue ACPA

Extended |>iano Techniques in Theory, History & |>erformance |>ractice

Research Catalogue ACPA

Taking |>lace: |>arrhesiastic Theater as a model for artistic practice

Research Catalogue ACPA

|>articipatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

Research Catalogue ACPA

Tactile paths : on and through notation for improvisers

Research Catalogue ACPA

Sonic Peripheries: Middling With/In the Event

Research Catalogue ACPA

|≥eading /~\rabic : legibility studies for the /~\rabic script

Research Catalogue ACPA

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Research Catalogue ACPA

Word and Whetstone: |>erspectives on Writing at the Intersection of /~\rt and /~\cademia

Research Catalogue ACPA

Dolce Napoli: /~\pproaches for performance

Research Catalogue ACPA

LUCAS Reading Group #3 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

Fr 03 Feb 2023 13:00 – 15:00, Meeting Reading Group - Arsenaal Building, Arsenaalstraat 1 Leiden, Room A0.02

LUCAS Reading Group #2 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

Fr 16 Dec 2022 13:00 – 15:00, Meeting Reading Group - Online & Leiden, please contact organizer

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

Research Catalogue ACPA

The variational mode: three cases about documents, artworks and animation

Research Catalogue ACPA

(antos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

Research Catalogue ACPA

The reflections of memory : an account of a cognitive approach to historically informed staging

Research Catalogue ACPA

|>oiesis and the |>erformance |>ractice of |>hysically |>olyphonic Notations

Research Catalogue ACPA

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Research Catalogue ACPA

The |>alestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Research Catalogue ACPA

Musika: The becoming of an artistic musical metaphysics

Research Catalogue ACPA

The magic of projection : augmentation and immersion in media art

Research Catalogue ACPA

|≥epertoire for a Swedish bassoon virtuoso: /~\pproaching early nineteenth-century works composed for Frans |>reumayr with an original Grenser & Wiesner bassoon

Research Catalogue ACPA

Het Urban Future-project

Research Catalogue ACPA

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Research Catalogue ACPA

The deep-rooted microtonality of the bass clarinet

Research Catalogue ACPA

The 'cello' in the Low (ountries : the instrument and its practical use in the 17th and 18th centuries

Research Catalogue ACPA

(De)(omposing Immersion

Research Catalogue ACPA

|>ropaganda /~\rt from the 20th to the 21st (entury

Research Catalogue ACPA

Die |>artimenti von Giovanni |>aisiello /~\nsätze zu ihrem Verständnis

Research Catalogue ACPA

/~\udible absence: searching for the site in sound production

Research Catalogue ACPA

|≥eForm

Research Catalogue ACPA

Imagined Voices : a poetics of Music-Text-Film

Research Catalogue ACPA

Finding one's own voice as an indigenous filmmaker

Research Catalogue ACPA

Discantare Super |>lanum (antum : new approaches to vocal polyphonic improvisation 1300-1470

Research Catalogue ACPA

Between air and electricity : microphones and loudspeakers as musical instruments

Research Catalogue ACPA

Shifting identities : the musician as theatrical perfomer

Research Catalogue ACPA

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Research Catalogue ACPA

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Research Catalogue ACPA

(reating and re-creating tangos : artistic processes and innovations in music by |>ugliese, Salgán, |>iazzolla and Beytelmann

Research Catalogue ACPA

LO(VS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Research Catalogue ACPA

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Research Catalogue ACPA

Multiple |>aths: Towards a |>erformance |>ractice in (omputer Music

Research Catalogue ACPA

Finding Focus

Research Catalogue ACPA

Beyond Borders. Broadening the /~\rtistic |>alette of ((omposing) Improvisers in Jazz.

Research Catalogue ACPA

In Search of the |>ublic: Exploring (ontemporary |>erformance |>ractices of (lassical Music in the Netherlands

Research Catalogue ACPA

|> /~\ |≥ ( Arts Research Festival

Fr 27 Oct 2023 10:00 – 20:00 - KABK & Amare (KC), The Hague

Actio! Actio! Actio! European Acting Techniques in Historical Perspective

5 Dec 2022 — 7 Dec, Symposium - Telders Auditorium, Leiden University & Online

Festival & Aftermovie 'OverActing' - the Power of Theatrical Traditions

2 Dec 2022 — 4 Dec, Theater Festival - Different locations around Leiden

The Relevance of Improvisation in Music & Dance for Society

We 30 Nov 2022 13:15 – 18:00, Mini-Symposium - Sweelinckzaal, Conservatorium van Amsterdam, Oosterdokskade 151, 1011 DL Amsterdam

Sound Theory (The Clouds)

The Deep Field; Art and the Ecological Imaginary

Fr 13 May 2022 15:00 – 17:00, Lecture

To Research or Not To Research in the Post-disciplinary Academy?

Interdisciplinary Research Group

Sa 16 Oct 2021 10:45 – 11:00, Performative Presentation

Interdisciplinary Research Group

2 Feb 2021 — 7 Jun 2022, Research Group

LUCAS Reading Group #4 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

Documentation Available - Info Session ACPA PhD and Dual PhD Leiden University

Two-Part Symposium 'After Work Conversations'

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

Scorescapes : on sound, environment and sonic consciousness

The Emergent /~\rtistic Object in the |>ostconceptual (ondition

The (ognitive continuum of electronic music

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

‘Ūd Taqsīm as a Model of |>re-(omposition

Figuring things out together: on the relationship between design and collective practice

/~\n improvisatory approach to nineteenth-century music

Writing performance : on relations between texts and performances

On the origin of patterning in movable Latin type : |≥enaissance standardisation, systematisation, and unitisation of textura and roman type

In search of a politesse du chant - |≥ediscovering salon vocal performance practice through the lens of the airs sérieux in the |≥ecueils d’airs serieux et à boire de differents autheurs, 1695-1699

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

Territoriality and choreography in site-situated performance

|>hónè and the political potential of metal music : a scholarly intervention

Between Freedom and Fixity: /~\rtistic |≥eflections on (omposition and Improvisation

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

La (etra (ornuta : the Horned Lyre of the (hristian World

The Informed |>erformer

Global Music: |≥ecasting and |≥ethinking the |>opular as Global

In Search of /~\ Lost Language: |>erforming in Early-|≥ecorded Style in Viola and String Quartet |≥epertoires (October 2019)

Johan van Meurs : een studie over een pionierend orgeladviseur

(alypso music : identity and social influence : the Trinidadian experience (November 2016)

The |>olyphonic Touch. (oarticulation and polyphonic expression in the performance of piano and organ music

|≥omanticizing Brahms: Early |≥ecordings and the [De](onstruction of Brahmsian Identity

Thinking through the guitar: the sound-cell-texture chain

What late medieval chant manuscripts do to a present-day performer of plainchant

/~\lverata, hedendaagse Europese letters met wortels in de middeleeuwen

Thirty Sixth Series of the Next Kind of Series

Typeface design for visually impaired children

Basso continuo sources from the Dutch |≥epublic c. 1620-c1790

The conflict of the faculties : perspectives on artistic research and academia

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to |≥ameau

Extended |>iano Techniques in Theory, History &amp; |>erformance |>ractice

Taking |>lace: |>arrhesiastic Theater as a model for artistic practice

|>articipatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

Tactile paths : on and through notation for improvisers

Sonic Peripheries: Middling With/In the Event

|≥eading /~\rabic : legibility studies for the /~\rabic script

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Word and Whetstone: |>erspectives on Writing at the Intersection of /~\rt and /~\cademia

Dolce Napoli: /~\pproaches for performance

LUCAS Reading Group #3 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

LUCAS Reading Group #2 'The Role of Experience in Arts of Criticism, Rhetoric, and Aesthetics'

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

The variational mode: three cases about documents, artworks and animation

(antos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

The reflections of memory : an account of a cognitive approach to historically informed staging

|>oiesis and the |>erformance |>ractice of |>hysically |>olyphonic Notations

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

The |>alestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Musika: The becoming of an artistic musical metaphysics

The magic of projection : augmentation and immersion in media art

|≥epertoire for a Swedish bassoon virtuoso: /~\pproaching early nineteenth-century works composed for Frans |>reumayr with an original Grenser &amp; Wiesner bassoon

Het Urban Future-project

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

The deep-rooted microtonality of the bass clarinet

The 'cello' in the Low (ountries : the instrument and its practical use in the 17th and 18th centuries

(De)(omposing Immersion

|>ropaganda /~\rt from the 20th to the 21st (entury

Die |>artimenti von Giovanni |>aisiello /~\nsätze zu ihrem Verständnis

/~\udible absence: searching for the site in sound production

|≥eForm

Imagined Voices : a poetics of Music-Text-Film

Finding one's own voice as an indigenous filmmaker

Discantare Super |>lanum (antum : new approaches to vocal polyphonic improvisation 1300-1470

Between air and electricity : microphones and loudspeakers as musical instruments

Shifting identities : the musician as theatrical perfomer

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

(reating and re-creating tangos : artistic processes and innovations in music by |>ugliese, Salgán, |>iazzolla and Beytelmann

LO(VS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Multiple |>aths: Towards a |>erformance |>ractice in (omputer Music

Finding Focus

Extended |>iano Techniques in Theory, History & |>erformance |>ractice

|≥epertoire for a Swedish bassoon virtuoso: /~\pproaching early nineteenth-century works composed for Frans |>reumayr with an original Grenser & Wiesner bassoon