acpa

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to Rameau

Research Catalogue ACPA

Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

Research Catalogue ACPA

‘Ūd Taqsīm as a Model of Pre-Composition

Research Catalogue ACPA

Reading Arabic : legibility studies for the Arabic script

Research Catalogue ACPA

In Search of the Public: Exploring Contemporary Performance Practices of Classical Music in the Netherlands

Research Catalogue ACPA

Between air and electricity : microphones and loudspeakers as musical instruments

Research Catalogue ACPA

The Informed Performer

Research Catalogue ACPA

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

Research Catalogue ACPA

Extended Piano Techniques in Theory, History & Performance Practice

Research Catalogue ACPA

The magic of projection : augmentation and immersion in media art

Research Catalogue ACPA

Figuring things out together: on the relationship between design and collective practice

Research Catalogue ACPA

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Research Catalogue ACPA

Finding Focus

Research Catalogue ACPA

Global Music: Recasting and Rethinking the Popular as Global

Research Catalogue ACPA

The variational mode: three cases about documents, artworks and animation

Research Catalogue ACPA

Taking Place: Parrhesiastic Theater as a model for artistic practice

Research Catalogue ACPA

Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon

Research Catalogue ACPA

In the Making – Public Sessions on Arts and Research

An improvisatory approach to nineteenth-century music

Research Catalogue ACPA

Word and Whetstone: Perspectives on Writing at the Intersection of Art and Academia

Research Catalogue ACPA

Sound Theory (The Clouds)

Writing performance : on relations between texts and performances

Research Catalogue ACPA

Cantos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

Research Catalogue ACPA

Mutable Audible – An Operative Ontology of the Sound Image

In Search of A Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires (October 2019)

Research Catalogue ACPA

Het Urban Future-project

Research Catalogue ACPA

The Emergent Artistic Object in the Postconceptual Condition

Research Catalogue ACPA

Participatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

Research Catalogue ACPA

Creating and re-creating tangos : artistic processes and innovations in music by Pugliese, Salgán, Piazzolla and Beytelmann

Research Catalogue ACPA

On the origin of patterning in movable Latin type : Renaissance standardisation, systematisation, and unitisation of textura and roman type

Research Catalogue ACPA

The reflections of memory : an account of a cognitive approach to historically informed staging

Research Catalogue ACPA

Johan van Meurs : een studie over een pionierend orgeladviseur

Research Catalogue ACPA

Shifting identities : the musician as theatrical perfomer

Research Catalogue ACPA

Documentation Joint Research Day '23 (JRD23)

Joint Research Day '23 (JRD23)

In search of a politesse du chant - Rediscovering salon vocal performance practice through the lens of the airs sérieux in the Recueils d’airs serieux et à boire de differents autheurs, 1695-1699

Research Catalogue ACPA

Tactile paths : on and through notation for improvisers

Research Catalogue ACPA

(De)Composing Immersion

Research Catalogue ACPA

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Research Catalogue ACPA

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Research Catalogue ACPA

Calypso music : identity and social influence : the Trinidadian experience (November 2016)

Research Catalogue ACPA

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Research Catalogue ACPA

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Research Catalogue ACPA

Sonic Peripheries: Middling With/In the Event

Research Catalogue ACPA

Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

Research Catalogue ACPA

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

Research Catalogue ACPA

The deep-rooted microtonality of the bass clarinet

Research Catalogue ACPA

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

Research Catalogue ACPA

The Polyphonic Touch. Coarticulation and polyphonic expression in the performance of piano and organ music

Research Catalogue ACPA

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Research Catalogue ACPA

Territoriality and choreography in site-situated performance

Research Catalogue ACPA

Dolce Napoli: Approaches for performance

Research Catalogue ACPA

ReForm

Research Catalogue ACPA

Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity

Research Catalogue ACPA

The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries

Research Catalogue ACPA

Scorescapes : on sound, environment and sonic consciousness

Research Catalogue ACPA

Thinking through the guitar: the sound-cell-texture chain

Research Catalogue ACPA

LOCVS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Research Catalogue ACPA

Phónè and the political potential of metal music : a scholarly intervention

Research Catalogue ACPA

Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

Tactile Paths: on and through Notation for Improvisers

Research Catalogue ACPA

Finding one's own voice as an indigenous filmmaker

Research Catalogue ACPA

What late medieval chant manuscripts do to a present-day performer of plainchant

Research Catalogue ACPA

Propaganda Art from the 20th to the 21st Century

Research Catalogue ACPA

The Cognitive continuum of electronic music

Research Catalogue ACPA

Alverata, hedendaagse Europese letters met wortels in de middeleeuwen

Research Catalogue ACPA

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Research Catalogue ACPA

Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation

Research Catalogue ACPA

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Research Catalogue ACPA

Thirty Sixth Series of the Next Kind of Series

Research Catalogue ACPA

Audible absence: searching for the site in sound production

Research Catalogue ACPA

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Research Catalogue ACPA

Typeface design for visually impaired children

Research Catalogue ACPA

Multiple Paths: Towards a Performance Practice in Computer Music

Research Catalogue ACPA

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

Research Catalogue ACPA

The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Research Catalogue ACPA

PARC Interview Series #1 Composer and Sound Artist Siamak Anvari

PhD Defence and artistic work presentation of Siamak Anvari

Basso continuo sources from the Dutch Republic c. 1620-c1790

Research Catalogue ACPA

Imagined Voices : a poetics of Music-Text-Film

Research Catalogue ACPA

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

Research Catalogue ACPA

The conflict of the faculties : perspectives on artistic research and academia

Research Catalogue ACPA

Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz.

Research Catalogue ACPA

La Cetra Cornuta : the Horned Lyre of the Christian World

Research Catalogue ACPA

Musika: The becoming of an artistic musical metaphysics

Research Catalogue ACPA

Interdisciplinary Research Group

2 Feb 2021 — 7 Jun 2022, Research Group

To Research or Not To Research in the Post-disciplinary Academy?

Interdisciplinary Research Group

Sa 16 Oct 2021 10:45 – 11:00, Performative Presentation

The Deep Field; Art and the Ecological Imaginary

Fr 13 May 2022 15:00 – 17:00, Lecture

The Relevance of Improvisation in Music & Dance for Society

We 30 Nov 2022 13:15 – 18:00, Mini-Symposium - Sweelinckzaal, Conservatorium van Amsterdam, Oosterdokskade 151, 1011 DL Amsterdam

Festival & Aftermovie 'OverActing' - the Power of Theatrical Traditions

2 Dec 2022 — 4 Dec, Theater Festival - Different locations around Leiden

Actio! Actio! Actio! European Acting Techniques in Historical Perspective

5 Dec 2022 — 7 Dec, Symposium - Telders Auditorium, Leiden University & Online

Two-Part Symposium 'After Work Conversations'

Th 20 Apr 2023 10:00 – 16:00, Symposium #1 Play Harder, Work Harder - Auditorium KABK

Th 11 May 2023 10:00 – 16:00, Symposium #2 Post-Work-Imaginaries - HfK Bremen, Bremen

Concert 'Where Angels Fear to Tread', with Richard Barrett

Su 21 May 2023 20:15 – 23:59, Concert - Splendor, Amsterdam

Sound Installation 'Focus'

Mutable Audible – An Operative Ontology of the Sound Image

6 Oct 2023 — 10 Oct, Exhibtion, part of doctoral promotion - Grey Space in the Middle, Paviljoensgracht 20-24 The Hague

Exhibition 'Co-Sounding: Towards a Sonorous Land'

9 Oct 2023 — 3 Dec, Exhibition - Zone2Source, Amstelpark 4, 1083 HZ Amsterdam

Concert in the context of 'Mutable Audible'

Mutable Audible – An Operative Ontology of the Sound Image

Tu 10 Oct 2023 20:00 – 22:00, Concert - Amare Conservatoriumzaal, Spuiplein 150, The Hague

Doctoral Defence of Gabriel Paiuk

Mutable Audible – An Operative Ontology of the Sound Image

We 11 Oct 2023 13:45 – 15:00, PhD Defence - Rapenburg 73, Leiden University

Mutable Audible. Mini-Symposium with Ana María Ochoa Gautier and Cécile Malaspina

Mutable Audible – An Operative Ontology of the Sound Image

Th 12 Oct 2023 15:30 – 17:30, Mini-Symposium, part of doctoral promotion - Amare, Studio L – New Music Lab (6th floor)

PhD celebrations Marina Liontou-Mochament: 'Metric Improvisation & Tools for Composition in Contemporary Modal Music'

Tu 17 Oct 2023 19:30 – 21:30, Public Concert - Sijthoff Cultuur, Doezastraat 1b, Leiden

We 18 Oct 2023 11:15 – 11:45, Public Defence - Great Auditorium Academy Building, Rapenburg 73, Leiden

Joint Research Day '23 (JRD23)

Fr 27 Oct 2023 09:30 – 21:30 - KABK & KC

Disseminating & Connecting Research Data

Joint Research Day '23 (JRD23)

Fr 27 Oct 2023 14:00 – 14:30, Presentation - Gallery 2, KABK, Prinsessegracht 4

The Sound Image and the Possible Audible

Joint Research Day '23 (JRD23)

Fr 27 Oct 2023 20:25 – 20:50, PhD Presentation - Amare, Studio 1, Spuiplein 150

Presentation & Performance 'Architectures of Silence'

Joint Research Day '23 (JRD23)

Fr 27 Oct 2023 21:00 – 21:30, PhD Presentation/Performance - Amare, Studio 1, Spuiplein 150

Public Defence Suzan Tunca 'Spiritual Corporeality: Towards Embodied Gnosis through a Dancing Language'

Tu 31 Oct 2023 10:00 – 12:00, Dance and music performance 'SEI' - Marekerk, Lange Mare 48, Leiden

Tu 31 Oct 2023 13:45 – 14:15, PhD Defence - Great Auditorium Academy Building, Rapenburg 73, Leiden

Rabih Mroué, Sand in the Eyes

In the Making – Public Sessions on Arts and Research

Su 26 Nov 2023 14:00 – 16:00, Performance-lecture - West Den Haag

The Oud: An Illustrated History

Mo 04 Dec 2023 19:30 – 21:00, Concert & Book Launch - Sijthoff Cultuur Doezastraat 1B Leiden

Sounding Urban Places - Interdisciplinary Research Project

1 Jan 2024 — 31 Dec 2025 - Binckhorst, The Hague

Funding for Research: Instruments & Opportunities for (Artist) Researchers

We 24 Jan 2024 13:30 – 17:00, Info Session (Hybrid) - Wijnhaven Leiden University, Turfmarkt 99

Etienne Kallos and Patricia Pisters – Searching for a Diasporic Time Image

In the Making – Public Sessions on Arts and Research

Su 28 Jan 2024 14:00 – 16:00, Lecture - West Den Haag

Artistic Research & the Techno-aesthetics of Infrastructure, with Kristoffer Gansing & ReCNTR

In the Making – Public Sessions on Arts and Research

Su 25 Feb 2024 14:00 – 16:00, Lecture - West Den Haag

Ecology and (Sounding) Art, with Marcel Cobussen, MinJi Kim & Kevin Fairbairn

In the Making – Public Sessions on Arts and Research

Su 24 Mar 2024 14:00 – 16:00, Lecture - West Den Haag

Symposium - What Methods Do

Tu 09 Apr 2024 13:00 – 19:00, International Symposium - Textile Museum, Tilburg

SAR International Forum 2024 on Artistic Research

10 Apr 2024 — 12 Apr, Symposium - Fontys Academy of the Arts, Tilburg

Experiencing Text and Textile, with Barbro Scholz and Li Lorian

In the Making – Public Sessions on Arts and Research

Su 28 Apr 2024 14:00 – 16:00, Lecture - West Den Haag

Art Without Soul? Embodiment and Historical Performance

In the Making – Public Sessions on Arts and Research

Su 26 May 2024 14:00 – 16:00, Lecture - West Den Haag

PhD Defence and artistic work presentation of Siamak Anvari

24 Jun 2024 — 25 Jun, PhD Defence & PhD Presentation - New Music Lab, Amare The Hague & the Academy Building (Leiden)

PhD Defence and concert of Carlo Diaz

24 Jun 2024 — 25 Jun, PhD Defence & PhD Presentation - Huygens’ Hofwyck, Westeinde 2a and Leiden

Concert and PhD defence Giuliano Bracci

We 20 Nov 2024 10:30 – 11:30, Musical component of the research / Concert - Marekerk, Lange Mare 48, Leiden.

We 20 Nov 2024 13:00 – 13:30, PhD defence Giuliano Bracci - Academy Building, Rapenburg 73, Leiden

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 09:00 – 21:30, KABK/KC/ACPA - KABK & KC

An Impression of the Joint Research Day 2024

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 09:00 – 21:30, KABK/KC/ACPA - KABK & KC

Roundtable #2 The Waves of Collectivity: An Honest Roundtable on the Trials and Triumphs of Collective Research

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 14:00 – 15:20, Roundtable [Fishbowl method] + presentations - KABK Gipsenzaal

Collective Sound Walk The lens of walking as a sensorial method of research and reflection

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 17:10 – 17:40, Walk - From KABK (Gallery 1) to KC (Club 4)

How to do a PhD at the Royal Conservatoire?

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 17:10 – 18:00, Info Session - Studio 1 (4th floor), Amare, The Hague

All Things Being Equal: Using Peacebuilding Tools to Make Joint Decisions in the Rehearsal Room

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 18:30 – 20:05, Collectivity & Building Trust - Studio 1, 4th floor KC (Amare)

Designing Sideways, Inefficient Publishing as a Mode of Refusal

Joint Research Day '24 (JRD24) - On Collective Practices & Collaboration

Fr 22 Nov 2024 18:30 – 20:05, Collectivity & Building Trust - Studio 1, 4th floor KC (Amare)

PhD Defence and Concert of Johannes Boer

We 27 Nov 2024 20:00 – 21:00, Presentation concert - Lutherse Kerk, Hooglandse Kerkgracht 26, Leiden

Th 28 Nov 2024 14:30 – 15:00, PhD Public Defence - Auditorium, Academy Building, Rapenburg 73, Leiden

PhD Defence and Concert of Guy Livingston

Su 08 Dec 2024 14:00 – 15:30, Presentation concert - New Music Lab, Amare, The Hague

Tu 10 Dec 2024 13:00 – 13:30, PhD Public Defence - Auditorium, Academy Building, Rapenburg 73, Leiden

Musical Networks and Algorithmic Emergence in the Times of Artificial Intelligence

In the Making – Public Sessions on Arts and Research

Su 08 Dec 2024 19:00 – 21:00, In the Making #7 - West, Lange Voorhout 102, The Hague

Public Defence Donald Weber

We 11 Dec 2024 14:30 – 15:30, PhD Defence - Academy Building at Leiden University

Public PhD Defence Don-Paul Kahl and Presentation Concert

Mo 27 Jan 2025 20:00 – 22:00, Presentation concert - Studio 4 (Amare), Spuiplein 150, The Hague

Tu 28 Jan 2025 10:00 – 10:30, PhD Public Defence - Auditorium, Academy Building, Rapenburg 73, Leiden

Eloquence of the Ineffable — The aftermath of the 2018 opera La Tragedia di Claudio M

In the Making – Public Sessions on Arts and Research

Th 30 Jan 2025 19:00 – 21:00, In the Making #9 - West, Lange Voorhout 102, The Hague

Sensing Otherwise; in the absence of land(scape)

In the Making – Public Sessions on Arts and Research

Th 27 Mar 2025 19:00 – 21:00, In the Making #10 - West, Lange Voorhout 102, The Hague

Save the Date Joint Research Day 2025 (JRD25) 14_Nov_25

Fr 14 Nov 2025 09:30 – 21:30, KABK/KC/ACPA - Auditorium KABK & Conservatoriumzaal KC (Amare)

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to Rameau

Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

‘Ūd Taqsīm as a Model of Pre-Composition

Reading Arabic : legibility studies for the Arabic script

In Search of the Public: Exploring Contemporary Performance Practices of Classical Music in the Netherlands

Between air and electricity : microphones and loudspeakers as musical instruments

The Informed Performer

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

Extended Piano Techniques in Theory, History &amp; Performance Practice

The magic of projection : augmentation and immersion in media art

Figuring things out together: on the relationship between design and collective practice

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Finding Focus

Global Music: Recasting and Rethinking the Popular as Global

The variational mode: three cases about documents, artworks and animation

Taking Place: Parrhesiastic Theater as a model for artistic practice

Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser &amp; Wiesner bassoon

In the Making – Public Sessions on Arts and Research

An improvisatory approach to nineteenth-century music

Word and Whetstone: Perspectives on Writing at the Intersection of Art and Academia

Sound Theory (The Clouds)

Writing performance : on relations between texts and performances

Cantos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

Mutable Audible – An Operative Ontology of the Sound Image

In Search of A Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires (October 2019)

Het Urban Future-project

The Emergent Artistic Object in the Postconceptual Condition

Participatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

Creating and re-creating tangos : artistic processes and innovations in music by Pugliese, Salgán, Piazzolla and Beytelmann

On the origin of patterning in movable Latin type : Renaissance standardisation, systematisation, and unitisation of textura and roman type

The reflections of memory : an account of a cognitive approach to historically informed staging

Johan van Meurs : een studie over een pionierend orgeladviseur

Shifting identities : the musician as theatrical perfomer

Documentation Joint Research Day '23 (JRD23)

In search of a politesse du chant - Rediscovering salon vocal performance practice through the lens of the airs sérieux in the Recueils d’airs serieux et à boire de differents autheurs, 1695-1699

Tactile paths : on and through notation for improvisers

(De)Composing Immersion

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Calypso music : identity and social influence : the Trinidadian experience (November 2016)

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Sonic Peripheries: Middling With/In the Event

Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

The deep-rooted microtonality of the bass clarinet

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

The Polyphonic Touch. Coarticulation and polyphonic expression in the performance of piano and organ music

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Territoriality and choreography in site-situated performance

Dolce Napoli: Approaches for performance

ReForm

Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity

The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries

Scorescapes : on sound, environment and sonic consciousness

Thinking through the guitar: the sound-cell-texture chain

LOCVS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Phónè and the political potential of metal music : a scholarly intervention

Poiesis and the Performance Practice of Physically Polyphonic Notations

Tactile Paths: on and through Notation for Improvisers

Finding one's own voice as an indigenous filmmaker

What late medieval chant manuscripts do to a present-day performer of plainchant

Propaganda Art from the 20th to the 21st Century

The Cognitive continuum of electronic music

Alverata, hedendaagse Europese letters met wortels in de middeleeuwen

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Thirty Sixth Series of the Next Kind of Series

Audible absence: searching for the site in sound production

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Typeface design for visually impaired children

Multiple Paths: Towards a Performance Practice in Computer Music

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

PARC Interview Series #1 Composer and Sound Artist Siamak Anvari

Basso continuo sources from the Dutch Republic c. 1620-c1790

Imagined Voices : a poetics of Music-Text-Film

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

The conflict of the faculties : perspectives on artistic research and academia

Extended Piano Techniques in Theory, History & Performance Practice

Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon

Collective Sound Walk The lens of walking as a sensorial method of research and reflection

Save the Date Joint Research Day 2025 (JRD25) 14_Nov_25