acpa

#acpa

The Academy of Creative and Performing Arts (ACPA) is a research institute. It is one of the seven institutes within the Faculty of Humanities at Leiden University and is closely connected to the Royal Academy of Art and the Royal Conservatoire in The Hague.

ACPA offers composers, performing artists, visual artists and designers the opportunity to do PhD research in and through artistic practice. ACPA also offers education in the arts for Leiden University students, and provides academic electives for students of the University of the Arts The Hague.

Mini-Symposium with Ana María Ochoa Gautier and Cécile Malaspina

Mutable Audible – An Operative Ontology of the Sound Image

Th 12 Oct 2023 15:30 – 17:00, Mini-Symposium, part of doctoral promotion - Amare, Studio L – New Music Lab (6th floor)

Concert in the context of 'Mutable Audible'

Mutable Audible – An Operative Ontology of the Sound Image

Tu 10 Oct 2023 20:00 – 22:00, Concert - Amare Conservatoriumzaal, Spuiplein 150, The Hague

Sound Installation 'Focus'

Mutable Audible – An Operative Ontology of the Sound Image

6 Oct 2023 — 10 Oct, Exhibtion, part of doctoral promotion - Grey Space in the Middle, Paviljoensgracht 20-24 The Hague

Doctoral Defence of Gabriel Paiuk

Mutable Audible – An Operative Ontology of the Sound Image

11 Oct 2023 — 26 Oct, PhD Defence - Rapenburg 73, Leiden University

Mutable Audible – An Operative Ontology of the Sound Image

Concert 'Where Angels Fear to Tread', with Richard Barrett

Su 21 May 2023 20:15 – 23:59, Concert - Splendor, Amsterdam

Documentation Available - Info Session ACPA PhD and Dual PhD Leiden University

Two-Part Symposium 'After Work Conversations'

Th 20 Apr 2023 10:00 – 16:00, Symposium #1 Play Harder, Work Harder - Auditorium KABK

Th 11 May 2023 10:00 – 16:00, Symposium #2 Post-Work-Imaginaries - HfK Bremen, Bremen

Mini-Symposium with Ana María Ochoa Gautier and Cécile Malaspina

Concert in the context of 'Mutable Audible'

Sound Installation 'Focus'

Doctoral Defence of Gabriel Paiuk

Mutable Audible – An Operative Ontology of the Sound Image

Concert 'Where Angels Fear to Tread', with Richard Barrett

Documentation Available - Info Session ACPA PhD and Dual PhD Leiden University

Two-Part Symposium 'After Work Conversations'

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

Scorescapes : on sound, environment and sonic consciousness

The (ognitive continuum of electronic music

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

‘Ūd Taqsīm as a Model of |>re-(omposition

Figuring things out together: on the relationship between design and collective practice

/~\n improvisatory approach to nineteenth-century music

The Emergent /~\rtistic Object in the |>ostconceptual (ondition

In search of a politesse du chant - |≥ediscovering salon vocal performance practice through the lens of the airs sérieux in the |≥ecueils d’airs serieux et à boire de differents autheurs, 1695-1699

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

Territoriality and choreography in site-situated performance

|>hónè and the political potential of metal music : a scholarly intervention

Between Freedom and Fixity: /~\rtistic |≥eflections on (omposition and Improvisation

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

La (etra (ornuta : the Horned Lyre of the (hristian World

The Informed |>erformer

Global Music: |≥ecasting and |≥ethinking the |>opular as Global

Writing performance : on relations between texts and performances

On the origin of patterning in movable Latin type : |≥enaissance standardisation, systematisation, and unitisation of textura and roman type

(alypso music : identity and social influence : the Trinidadian experience (November 2016)

The |>olyphonic Touch. (oarticulation and polyphonic expression in the performance of piano and organ music

|≥omanticizing Brahms: Early |≥ecordings and the [De](onstruction of Brahmsian Identity

Thinking through the guitar: the sound-cell-texture chain

What late medieval chant manuscripts do to a present-day performer of plainchant

/~\lverata, hedendaagse Europese letters met wortels in de middeleeuwen

Thirty Sixth Series of the Next Kind of Series

Typeface design for visually impaired children

Basso continuo sources from the Dutch |≥epublic c. 1620-c1790

The conflict of the faculties : perspectives on artistic research and academia

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to |≥ameau

Extended |>iano Techniques in Theory, History &amp; |>erformance |>ractice

Taking |>lace: |>arrhesiastic Theater as a model for artistic practice

In Search of /~\ Lost Language: |>erforming in Early-|≥ecorded Style in Viola and String Quartet |≥epertoires (October 2019)

Johan van Meurs : een studie over een pionierend orgeladviseur

Tactile paths : on and through notation for improvisers

Sonic Peripheries: Middling With/In the Event

|≥eading /~\rabic : legibility studies for the /~\rabic script

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Word and Whetstone: |>erspectives on Writing at the Intersection of /~\rt and /~\cademia

|>articipatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

Dolce Napoli: /~\pproaches for performance

|>oiesis and the |>erformance |>ractice of |>hysically |>olyphonic Notations

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

The |>alestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Musika: The becoming of an artistic musical metaphysics

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

The variational mode: three cases about documents, artworks and animation

(antos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

The reflections of memory : an account of a cognitive approach to historically informed staging

(De)(omposing Immersion

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Die |>artimenti von Giovanni |>aisiello /~\nsätze zu ihrem Verständnis

The deep-rooted microtonality of the bass clarinet

|≥eForm

The 'cello' in the Low (ountries : the instrument and its practical use in the 17th and 18th centuries

Finding one's own voice as an indigenous filmmaker

|>ropaganda /~\rt from the 20th to the 21st (entury

/~\udible absence: searching for the site in sound production

Imagined Voices : a poetics of Music-Text-Film

Discantare Super |>lanum (antum : new approaches to vocal polyphonic improvisation 1300-1470

The magic of projection : augmentation and immersion in media art

|≥epertoire for a Swedish bassoon virtuoso: /~\pproaching early nineteenth-century works composed for Frans |>reumayr with an original Grenser &amp; Wiesner bassoon

Het Urban Future-project

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

LO(VS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Multiple |>aths: Towards a |>erformance |>ractice in (omputer Music

Between air and electricity : microphones and loudspeakers as musical instruments

Extended |>iano Techniques in Theory, History & |>erformance |>ractice

|≥epertoire for a Swedish bassoon virtuoso: /~\pproaching early nineteenth-century works composed for Frans |>reumayr with an original Grenser & Wiesner bassoon