Two Viennese piano schools: Beethoven and Hummel

Author: Petra Somlai

View more www.researchcatalogue.net/view/555906/559358

Belongs to

Research Catalogue KC

Keywords

#ludwig van beethoven

#johann nepomuk hummel

#piano

#vienna

#koncon lectorate

#classical style

#research catalogue

Related projects

Towards an integrated method for practicing: internalizing the composer’s language.

Research Catalogue KC

Listening to / in Public Space

Research Catalogue KC

Piano four-hands, "once again"

Research Catalogue KC

Rethinking the traditional concert format through the lens of Russian mystic composer Nikolai Obukhov

Research Catalogue KC

"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski

Research Catalogue KC

Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

Research Catalogue KC

The Bass Guitar in the Contemporary Music

Research Catalogue KC

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

Research Catalogue KC

How can I find my own voice through my instrument

Research Catalogue KC

Out of the "Engine Rooms"

Research Catalogue KC

Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

Research Catalogue KC

Monteverdi and the architecture of emotions

Research Catalogue KC

How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

Research Catalogue KC

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

Research Catalogue KC

The Performer Composer Relation

Research Catalogue KC

Performing Music Theory

Research Catalogue KC

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Research Catalogue KC

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

Research Catalogue KC

The Arabic Maqam on Double Bass

Research Catalogue KC

How to understand stage fright?

Research Catalogue KC

Down to business

Research Catalogue KC

"Art of drumming within jazz piano trio"

Research Catalogue KC

Batterie & Baroque Guitars

Research Catalogue KC

Adapting live classical music performance for different venues

Research Catalogue KC

Effects of visual instructions in one-on-one violin lessons

Research Catalogue KC

Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

Research Catalogue KC

Developing Vocal Techniques in Contemporary Solo Double Bass Repertoire: A pedagogical approach to developing vocal techniques and coordination in Western classical-contemporary solo double bass repertoire

Research Catalogue KC

Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

"Avec Picasso, ce matin..."

Research Catalogue KC

The appearance of the sound

Research Catalogue KC

Two Viennese piano schools: Beethoven and Hummel

Research Catalogue KC

Related projects

Towards an integrated method for practicing: internalizing the composer’s language.

Listening to / in Public Space

Piano four-hands, "once again"

Rethinking the traditional concert format through the lens of Russian mystic composer Nikolai Obukhov

"An Actor Prepares": A musician's approach to a selection of techniques by Konstantin Stanislavski

Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

The Bass Guitar in the Contemporary Music

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

How can I find my own voice through my instrument

Out of the "Engine Rooms"

Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

Monteverdi and the architecture of emotions

How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

The Performer Composer Relation

Performing Music Theory

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

The Arabic Maqam on Double Bass

How to understand stage fright?

Down to business

"Art of drumming within jazz piano trio"

Batterie & Baroque Guitars

Adapting live classical music performance for different venues

Effects of visual instructions in one-on-one violin lessons

Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

Developing Vocal Techniques in Contemporary Solo Double Bass Repertoire: A pedagogical approach to developing vocal techniques and coordination in Western classical-contemporary solo double bass repertoire

Poiesis and the Performance Practice of Physically Polyphonic Notations

"Avec Picasso, ce matin..."

The appearance of the sound

Related people by keywords

Luk Vaes

Bert Mooiman

Anna Scott

Heloisa Amaral

Guy Livingston

Casper Schipper