The process of vihuela intabulation of sacred music in 16th century Spain

The process of vihuela intabulation of sacred music by Cristóbal de Morales, using examples contained in Orphénica Lyra by Miguel de Fuenllana and instructions by Juan de Bermudo.

Author: Kateřina Maňáková

View more www.researchcatalogue.net/view/1825776/1826522

Belongs to

Research Catalogue KC

Keywords

#renaissance music

#renaissance polyphony

#mass

#sacred music

#vihuela

#intabulation

#miguel de fuenllana

#cristobal morales

#spain

#16th century

#research catalogue

Related projects

The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

Research Catalogue KC

Intabulation as process and practice (Master thesis)

Research Catalogue KC

Lecture 3: Future Soils

'Earth Craft', KABK Studium Generale 2022-2023

Th 24 Nov 2022 18:30 – 20:30, Lecture & Workshop - Gallery 1, 2 and 3, Prinsessegracht 4 The Hague

Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

Research Catalogue KC

The Bass Guitar in the Contemporary Music

Research Catalogue KC

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

Research Catalogue KC

How can I find my own voice through my instrument

Research Catalogue KC

Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

Research Catalogue KC

Monteverdi and the architecture of emotions

Research Catalogue KC

How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

Research Catalogue KC

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

Research Catalogue KC

The Performer Composer Relation

Research Catalogue KC

Performing Music Theory

Research Catalogue KC

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Research Catalogue KC

Out of the "Engine Rooms"

Research Catalogue KC

Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

"Avec Picasso, ce matin..."

Research Catalogue KC

The appearance of the sound

Research Catalogue KC

Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

Research Catalogue KC

Giuseppe Torelli and the birth of the Violin Concerto

Research Catalogue KC

From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

Research Catalogue KC

A Study on Ornamentation and Expression in French vocal Music (1650-1750)

Research Catalogue KC

Diminutions, Divisions, and Doubles in Viol Literature

Research Catalogue KC

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

Research Catalogue KC

The Arabic Maqam on Double Bass

Research Catalogue KC

How to understand stage fright?

Research Catalogue KC

Down to business

Research Catalogue KC

"Art of drumming within jazz piano trio"

Research Catalogue KC

Batterie & Baroque Guitars

Research Catalogue KC

Adapting live classical music performance for different venues

Research Catalogue KC

The process of vihuela intabulation of sacred music in 16th century Spain

Research Catalogue KC

Related projects

The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

Intabulation as process and practice (Master thesis)

Lecture 3: Future Soils

Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

The Bass Guitar in the Contemporary Music

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

How can I find my own voice through my instrument

Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

Monteverdi and the architecture of emotions

How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

The Performer Composer Relation

Performing Music Theory

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Out of the "Engine Rooms"

Poiesis and the Performance Practice of Physically Polyphonic Notations

"Avec Picasso, ce matin..."

The appearance of the sound

Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

Giuseppe Torelli and the birth of the Violin Concerto

From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

A Study on Ornamentation and Expression in French vocal Music (1650-1750)

Diminutions, Divisions, and Doubles in Viol Literature

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

The Arabic Maqam on Double Bass

How to understand stage fright?

Down to business

"Art of drumming within jazz piano trio"

Batterie & Baroque Guitars

Adapting live classical music performance for different venues

Related people by keywords

Casper Schipper