Research Catalogue ACPA

The output of finished research published in the Research Catalogue (RC), an international database for artistic research, has been connected to the website researchplatform.art. The RC is already being used extensively in the staff research & education of the Royal Conservatoire (KC) and the Academy of Creative & Performing Arts (ACPA). The Royal Academy of Art (KABK) will follow mid-2023. This means that all open publications from the RC can consequently be found via researchplatform.art through the search option.

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Has 78 sub projects

Research Catalogue ACPA

Poiesis and the Performance Practice of Physically Polyphonic Notations

Mediating from within: Metaxical amplification as an alternative sonic environment for classical music performance

Tactile paths : on and through notation for improvisers

Sonic Peripheries: Middling With/In the Event

Propaganda Art from the 20th to the 21st Century

The magic of projection : augmentation and immersion in media art

Johan van Meurs : een studie over een pionierend orgeladviseur

Calypso music : identity and social influence : the Trinidadian experience (November 2016)

The Polyphonic Touch. Coarticulation and polyphonic expression in the performance of piano and organ music

Scorescapes : on sound, environment and sonic consciousness

Thinking through the guitar: the sound-cell-texture chain

Alverata, hedendaagse Europese letters met wortels in de middeleeuwen

Typeface design for visually impaired children

The conflict of the faculties : perspectives on artistic research and academia

Reading Arabic : legibility studies for the Arabic script

Extended Piano Techniques in Theory, History &amp; Performance Practice

Bruno Munari and the invention of modern graphic design in Italy, 1928-1945

Word and Whetstone: Perspectives on Writing at the Intersection of Art and Academia

Participatory sense-making in physical play and dance improvisation: drawing meaningful connections between self, others and world

In search of a politesse du chant - Rediscovering salon vocal performance practice through the lens of the airs sérieux in the Recueils d’airs serieux et à boire de differents autheurs, 1695-1699

The 'harpe organisée', 1720-1840 : rediscovering the lost pedal techniques on harps with a single-action pedal mechanism

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Vokales Instrumentalspiel in der zweiten Hälfte des 18. Jahrhunderts

Territoriality and choreography in site-situated performance

Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity

Phónè and the political potential of metal music : a scholarly intervention

What late medieval chant manuscripts do to a present-day performer of plainchant

Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation

Thirty Sixth Series of the Next Kind of Series

Veranderend kunstenaarschap : de rol en betekenis van de kunstenaar in participatieve kunstpraktijken

Basso continuo sources from the Dutch Republic c. 1620-c1790

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie

La Cetra Cornuta : the Horned Lyre of the Christian World

The relationship between gesture, affect and rhythmic freedom in the performance of French tragic opera from Lully to Rameau

The Informed Performer

Figuring things out together: on the relationship between design and collective practice

Global Music: Recasting and Rethinking the Popular as Global

Taking Place: Parrhesiastic Theater as a model for artistic practice

Writing performance : on relations between texts and performances

In Search of A Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires (October 2019)

The Emergent Artistic Object in the Postconceptual Condition

On the origin of patterning in movable Latin type : Renaissance standardisation, systematisation, and unitisation of textura and roman type

ReForm

Shifting identities : the musician as theatrical perfomer

Ebifananyi : a study of photographs in Uganda in and through an artistic practice

Finding one's own voice as an indigenous filmmaker

Grenzen van het hoorbare: over de meerstemmigheid van het lichaam

The deep-rooted microtonality of the bass clarinet

Laborinth II : denken als experiment : 472 'meditaties' over de noodzaak van het creatief denken en experimenteren in het uitvoeren van complexe muziek van 1962 tot heden

Dolce Napoli: Approaches for performance

The 'cello' in the Low Countries : the instrument and its practical use in the 17th and 18th centuries

LOCVS : herinnering en vergankelijkheid in de verbeelding van plaats : van Italische domus naar artistiek environment

The Cognitive continuum of electronic music

Giovanni Girolamo Kapsperger (ca. 1581 – 1651) : Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel

Audible absence: searching for the site in sound production

Harmonic duality : from interval ratios and pitch distance to spectra and sensory dissonance

Imagined Voices : a poetics of Music-Text-Film

Between air and electricity : microphones and loudspeakers as musical instruments

Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

‘Ūd Taqsīm as a Model of Pre-Composition

Creating and re-creating tangos : artistic processes and innovations in music by Pugliese, Salgán, Piazzolla and Beytelmann

(De)Composing Immersion

Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser &amp; Wiesner bassoon

An improvisatory approach to nineteenth-century music

Cantos da Floresta (Forest Songs) : exchanging and sharing indigenous music in Brazil

Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

Het Urban Future-project

The reflections of memory : an account of a cognitive approach to historically informed staging

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Multiple Paths: Towards a Performance Practice in Computer Music

The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity

Tactile Paths: on and through Notation for Improvisers

Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz.

Musika: The becoming of an artistic musical metaphysics

In Search of the Public: Exploring Contemporary Performance Practices of Classical Music in the Netherlands

Blind maps and blue dots: the blurring of the producer–user divide in the production of visual information

Finding Focus

The variational mode: three cases about documents, artworks and animation

Extended Piano Techniques in Theory, History & Performance Practice

Repertoire for a Swedish bassoon virtuoso: Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon