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#art of interpretation

Karol Szymanowski and |>olish Folklore. Using |>odhale folk music to inform performances of Szymanowski's Harnasie

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16th-(entury Keyboard Tablature as |>erformance Notation

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Britten Folksongs and Their Traditional (ounterparts

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BEL (/~\NTO /~\ND HÄNDEL: The evolution of bel canto throughout the history and its implementation into the interpretation of Italian operatic music for tenor composed by Georg Friedrich Händel

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The bassoon in Barcelona in the second half of the XVIIIth century

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|≥ethinking ornamentation : a rhetorical approach to da capo arias of Georg Friedrich Händel

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/~\n /~\pproach to |≥omantic cello playing in Brahms's time

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SOUND IDENTITY

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Walton viola (oncerto beyond the score

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J/~\ZZ D|≥UMS: 5 unconventional comping examples

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/~\ Study on Ornamentation and Expression in French vocal Music (1650-1750)

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Intabulation as process and practice (Master thesis)

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Batterie & Baroque Guitars

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Giuseppe Torelli and the birth of the Violin (oncerto

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The Transfigured Guitar of /~\lberto Ginastera Sonata for Guitar, op. 47

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"/~\vec |>icasso, ce matin..."

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|≥esearch and (ritical Edition of (apriccio Diabolico by Mario (astelnuovo-Tedesco

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