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#art of interpretation

Walton viola Concerto beyond the score

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Hindemith’s Musical Enigmas Through the Eyes of Bach

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An Approach to Romantic cello playing in Brahms's time

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Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach

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SOUND IDENTITY

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Research and Critical Edition of Capriccio Diabolico by Mario Castelnuovo-Tedesco

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Rethinking ornamentation : a rhetorical approach to da capo arias of Georg Friedrich Händel

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"Avec Picasso, ce matin..."

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The bassoon in Barcelona in the second half of the XVIIIth century

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The Transfigured Guitar of Alberto Ginastera Sonata for Guitar, op. 47

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BEL CANTO AND HÄNDEL: The evolution of bel canto throughout the history and its implementation into the interpretation of Italian operatic music for tenor composed by Georg Friedrich Händel

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Giuseppe Torelli and the birth of the Violin Concerto

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16th-Century Keyboard Tablature as Performance Notation

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A Study on Ornamentation and Expression in French vocal Music (1650-1750)

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Britten Folksongs and Their Traditional Counterparts

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Intabulation as process and practice (Master thesis)

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Karol Szymanowski and Polish Folklore. Using Podhale folk music to inform performances of Szymanowski's Harnasie

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Batterie & Baroque Guitars

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Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata

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JAZZ DRUMS: 5 unconventional comping examples

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ELIANE ESTHER BOTS | About telling and listening, a narrating self | film lecture 6

Fr 19 Apr 2024 16:00 – 19:30, Lecture - KABK Auditorium
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