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#performance practice

Between Performance and Notation: How did Carl Reinecke understand Mozart’s piano concerto No.26 K.537?

Research Catalogue KC

The Informed Performer

Research Catalogue ACPA

Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity

Research Catalogue ACPA

What late medieval chant manuscripts do to a present-day performer of plainchant

Research Catalogue ACPA

Poiesis and the Performance Practice of Physically Polyphonic Notations

Research Catalogue ACPA

Die Partimenti von Giovanni Paisiello Ansätze zu ihrem Verständnis

Research Catalogue ACPA

A modern analysis of Historical Informed Performance: considerations about the method, its past and its future

Research Catalogue KC

Josef Beer - The perfect clarinetist

Research Catalogue KC

A Study on Ornamentation and Expression in French vocal Music (1650-1750)

Research Catalogue KC
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