|> /~\ |≥ (
#historically informed performance

/~\n improvisatory approach to nineteenth-century music

Research Catalogue ACPA

Vestito a ponti d'oro e a cento corde in seno - 'History, repertoire and playing-techniques of the Italian salterio in the eighteenth century'

Research Catalogue ACPA

Extended |>iano Techniques in Theory, History & |>erformance |>ractice

Research Catalogue ACPA

PhD Research of Johannes Leertouwer

We 11 Jan 2023 19:30 – 20:45, Performance & Presentation - Telders Auditorium,Rapenburg 73, Leiden
Th 12 Jan 2023 11:15 – 12:00, PhD Defence - Online & Rapenburg 73, Leiden

Moving early music: Improvisation and the work-concept in seventeenth-century French keyboard performance

Research Catalogue ACPA

/~\ modern analysis of Historical Informed |>erformance: considerations about the method, its past and its future

Research Catalogue KC

Examination of mid-nineteenth century double bass playing based on /~\. Müller and F.(. Franke’s discourse in the Neue Zeitschrift für Musik, 1848 – 1851

Research Catalogue KC

/~\pollo’s Banquet for children: Teaching baroque music to the young violinist

Research Catalogue KC

(hordal (ontinuo |≥ealization on the Violoncello: /~\ look at the practice of chordal accompaniment by cellists over the course of two centuries, with a focus on recitative accompaniment practices between 1774 and 1832

Research Catalogue KC

The place of modern technique in historical performance practice.

Research Catalogue KC

To be melodramatic: Writing a text to music according to the melodramatic tradition

Research Catalogue KC

La (ourante Françoise. Historically Informed |>erformance of the French (ourante For Harpsichord During the Second Half of the Seventeenth (entury Following the (riteria Obtained From the Baroque Dance

Research Catalogue KC

Size Matters: Historical String Lengths and |>ossible Tunings of the (hitarrone or Theorbo

Research Catalogue KC
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