19th century

Searching for Sattler

Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata

Searching for the Top Range in Early Nineteenth Century Bassoon Repertoire from Sweden: Issues of Material and/or Technique?'

Adrien-François Servais’s contribution to the evolution of the cello technique

The use of Bel Canto singing in the Italian opera of the XVIII century

(2019) The Singing Violin: Portamento use in Franz Schubert’s violin music

Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach

The Viennese violone : A "Viennoiserie" with 5 spices

Unraveling Musical Relativity: Following in the Footsteps of 19th-century Conductors

The success of a symphonic transcription

Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino

Queer and Gender-Fluid Artists in the Music Performance Universe of the 17th, 18th, and 19th Centuries

PhD Research of Johannes Leertouwer

Lecture & Concert - The 19th Century Concert Experience

Art Without Soul? Embodiment and Historical Performance

Searching for Sattler

Man's struggle for salvation: A programmatic interpretation of Franz Liszt's B minor Sonata

Searching for the Top Range in Early Nineteenth Century Bassoon Repertoire from Sweden: Issues of Material and/or Technique?'

Adrien-François Servais’s contribution to the evolution of the cello technique

The use of Bel Canto singing in the Italian opera of the XVIII century

(2019) The Singing Violin: Portamento use in Franz Schubert’s violin music

Saverio Mercadante and the Neapolitan flute school of the early 19th century. A dramma buffo on the historically informed approach

The Viennese violone : A "Viennoiserie" with 5 spices

Unraveling Musical Relativity: Following in the Footsteps of 19th-century Conductors

The success of a symphonic transcription

Investigating smaller bassoons from the XVIII and XIX centuries, with practical performance on a Baroque fagottino

Queer and Gender-Fluid Artists in the Music Performance Universe of the 17th, 18th, and 19th Centuries

PhD Research of Johannes Leertouwer

Lecture & Concert - The 19th Century Concert Experience

Art Without Soul? Embodiment and Historical Performance

Emma Williams

Rebecca Huber