The Ways We Teach

A dossier on different perspectives on higher music education held in conservatoires in Europe and beyond

Author: Heloisa Amaral

View more www.researchcatalogue.net/view/1885971/1885972

Belongs to

Research Catalogue KC

People

>Heloisa Amaral

Keywords

#koncon lectorate

#music education

#comparative study

#education

#curriculum

#curriculum design

#research catalogue

Related projects

Book Launch 'The Promise of Music'

Th 19 May 2022 16:00 – 17:30

Listening to / in Public Space

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Effects of visual instructions in one-on-one violin lessons

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The Relevance of Improvisation in Music & Dance for Society

We 30 Nov 2022 13:15 – 18:00, Mini-Symposium - Sweelinckzaal, Conservatorium van Amsterdam, Oosterdokskade 151, 1011 DL Amsterdam

Joint Research Day '23 (JRD23)

Fr 27 Oct 2023 09:30 – 21:30 - KABK & KC

The Bass Guitar in the Contemporary Music

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Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

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Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

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How can I find my own voice through my instrument

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Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

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How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

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The Performer Composer Relation

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Performing Music Theory

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A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

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Out of the "Engine Rooms"

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Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

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Monteverdi and the architecture of emotions

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Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

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Giuseppe Torelli and the birth of the Violin Concerto

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From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

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The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

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A Study on Ornamentation and Expression in French vocal Music (1650-1750)

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Diminutions, Divisions, and Doubles in Viol Literature

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Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

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The Arabic Maqam on Double Bass

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How to understand stage fright?

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Down to business

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Batterie & Baroque Guitars

Research Catalogue KC

"Art of drumming within jazz piano trio"

Research Catalogue KC

Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

Research Catalogue KC

The Ways We Teach

Research Catalogue KC

Related projects

Book Launch 'The Promise of Music'

Listening to / in Public Space

Effects of visual instructions in one-on-one violin lessons

The Relevance of Improvisation in Music & Dance for Society

Joint Research Day '23 (JRD23)

The Bass Guitar in the Contemporary Music

Why can't I sleep?: A psychoanalysis of the manifestation of unattainable control through the art of composition.

Exploring Expressive Lied Performance: Re-enacting Lotte Lehmann’s Pre-World War II Lied Performances

How can I find my own voice through my instrument

Size Matters: Historical String Lengths and Possible Tunings of the Chitarrone or Theorbo

How the Degree To Which Instrumentalist and Composer Work Together Affects the Compositional Process, the Composition and the Final Performance

The Performer Composer Relation

Performing Music Theory

A Quest for Musical Clarity: Grounding Compositional Practices in Gestalt and Perception Theories

Out of the "Engine Rooms"

Mindful practicing - Mindfulness and goal setting exercises for fostering self-efficacy

Monteverdi and the architecture of emotions

Master Research Exposition "Instrumental Chamber Music in Collection of Diocesan Library of Sandomierz- characteristics, socio-historical background and local importance"

Giuseppe Torelli and the birth of the Violin Concerto

From Xavier Lefèvre to Frédéric Berr: Clarinet instruction at the Paris Conservatory between 1795 and 1838.

The advent of the transverse flute in Italy and its use in mixed consorts during the sixteenth and early seventeenth centuries

A Study on Ornamentation and Expression in French vocal Music (1650-1750)

Diminutions, Divisions, and Doubles in Viol Literature

Accessibility of Music Production Software for the Visually Impaired: A study of developing an eyes-free audio application for a surface haptic interface

The Arabic Maqam on Double Bass

How to understand stage fright?

Down to business

Batterie & Baroque Guitars

"Art of drumming within jazz piano trio"

Constructing a framework for interdisciplinary performances featuring classically trained musicians and dancers or actors

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