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|> /~\ |≥ (
#piano
Two
Viennese
piano
schools:
Beethoven
and
Hummel
Research Catalogue KC
KEYBO/~\|≥D
MUSI(I/~\NSHI|>:
"Developing
a
methodology
through
musical
repertoire"
Research Catalogue KC
/~\|>|>|≥O/~\(HING
IM/~\GES:
/~\
Journey
from
Imagery
to
the
(oncrete
Research Catalogue KC
|≥omanticizing
Brahms:
Early
|≥ecordings
and
the
[De](onstruction
of
Brahmsian
Identity
Research Catalogue ACPA
Extended
|>iano
Techniques
in
Theory,
History
&
|>erformance
|>ractice
Research Catalogue ACPA
|≥eading
Garoto
–
a
study
over
the
legendary
musician
who
changed
Brazilian
music.
Research Catalogue KC
Forbidden
Beauty:
|>erformance
|>ractice
of
un-notated
arpeggio
in
fortepiano
music
in
late
19th
(entury
Research Catalogue KC
Barry
Harris:
Exploring
the
Diminished
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The
influence
of
some
characteristics
of
|≥omanian
folk
music
on
the
|≥omanian
|≥hapsody
no.
1
opus
11
by
George
Enescu
–
/~\n
arrangement
for
2
pianos
Research Catalogue KC
Transcribing
|≥achmaninoff’s
Variations
on
a
Theme
of
(orelli
for
Orchestral
Ensemble.
Research Catalogue KC
The
Development
of
the
|>erformer's
|≥ole
in
Karlheinz
Stockhausen's
|>iano
Works
Research Catalogue KC
Deliver
the
meaning
-
|>erformance
expression
in
a
physical
shape
Research Catalogue KC
Historically
Inspired
Improvisation
-
Improvising
on
basis
of
19th-century
music
making
Research Catalogue KC
SIM|>LI(ITY
OF
ST|≥ONG
EMOTION:
Study
on
the
performance
style
of
Frederic
Mompou
based
on
his
recording
of
(ants
Màgics
Research Catalogue KC
The
|>rolonged
Touch:
Finger
|>edaling
and
Legatissimo
in
(lassical
and
Early
|≥omantic
|>iano
Music
Research Catalogue KC
DEBUSSY
/~\ND
MOVEMENT
-
IM/~\NOL
(/~\S/~\N
Research Catalogue KC
|>iano
four-hands,
"once
again"
Research Catalogue KC
|≥ethinking
the
traditional
concert
format
through
the
lens
of
|≥ussian
mystic
composer
Nikolai
Obukhov
Research Catalogue KC
"/~\n
/~\ctor
|>repares":
/~\
musician's
approach
to
a
selection
of
techniques
by
Konstantin
Stanislavski
Research Catalogue KC
People
Guy Livingston
Luk Vaes
Heloisa Amaral
Anna Scott